This page contains a Flash digital edition of a book.
When making a pitched roof structure, I use the end walls as a pattern to make center supports for the roof. This allows the two roof pieces to be supported at various points across the building, adding strength.


ways paint the interior of larger wood buildings to seal them from moisture. Painting the interior will prevent a lot of the warping that occurs during changes in the humidity. After the walls are craft- ed, I just use a rattle can of whatever


I use pins in my structures whenever possible. They add strength, which helps pieces hold together. Here, the foundation pieces are pinned to the walls.


dark color I can get my mitts on to blast the interior surfaces. Custom lengths of brass wire can often be used in place of pins, which can add the needed strength to many questionable butt joints. I like to cut the wire at a severe angle to give it a nice sharp point. This will allow an easier start into a pre-drilled hole, or make


plunging it into an undrilled surface eas- ier. Judiciously placed wire “pins” can aid in the accurate placement (in pre- drilled holes) of delicate substructures such as fire escapes or free-standing stairways. Make the hole slightly under- size, so the fit is a snug one. Pre-drilled holes such as these are best made be- fore final assembly when each wall is


Left: When constructing models I always think about how to maximize the surface area of pieces that will be glued together. In this case, I have added a basswood block to the building. It not only keeps the wall straight, but also provides a large area for adhesive.


Below: Brass or phosphor bronze wire can also be used to add support to structures. I often pin the building to the ground or pin large wooden beams to one another. Pins can be added after the construction of the structure is complete if you can reach the joint areas and drilling will not cause damage.


84 RAILROAD MODEL CRAFTSMAN


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100