Architecture & Design | RIBA


Top left: The Peak Tower, Hong Kong, 1991–1995. Farrells. Clad in vast sheets of aluminium, the building was the first international project by its architect Terry Farrell. The winning entry of a limited international competition, it was intended as a new landmark for the city, standing at one of its highest points. Its vast form with projecting eaves demonstrated great structural daring, while introducing a contemporary take on traditional Chinese architecture. The project enabled the practice to expand, opening its first overseas office that year – kick-starting a long relationship with the Far East.


Bottom left: Sketch section of the Carré d’Art, Nimes, France, 1993. Norman Foster. The contextual relationship between the new arts centre and the Maison Carrée – a Roman temple built in 5 AD – is explored. While the building approached its historical setting with caution, its design avoided pastiche. It was ‘of its age’, extending a contemporary tradition. The debate over the intervention of contemporary architecture into heritage sites continues today in many parts of the world.


Right: Cross section through the atrium of the Hong Kong and Shanghai (HSBC) Bank Headquarters, Hong Kong, 1985. Foster Associates. This vast building was the largest by the practice who, until then, had not built above seven storeys. ‘Created without compromise’, it represented a huge statement of confidence for the practice and forged a global reputation.


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ISSUE 01 | GLOBAL OPPORTUNITY 2014 95


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