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love it. But it’s just a part of what I do.”


Looking at his recent work though, Transeau has unmistakably found himself gravitating towards the more adventurous side of the trance scene, evidenced by the turbo-charged, bass-fueled remix of ‘Flaming June’ that he released last year.


“I love how the palette of trance is expanding,” he says. “It shocks me that people now listen to one of my old songs like ‘Sunblind’ and they call it trance music. It’s under 128bpm, and it’s this big rolling, evocative, ten-minute long slice of feeling. There’s no big drop in it, there’s no big supersaw toplines, there’s no big arpeggios. There’s just a really beautiful melody and this rolling euphoric feeling. That’s the main thing that’s stuck with me.”


It’s an approach to trance that you’ll find on display on his new album ‘A Song Across Wires’, which will be released through the Armada, the powerhouse trance label founded by Armin van Buuren, in August. Transeau’s edgy trance stylings are on display from beginning to end. “It’s really about exploring what’s possible with the format,” he says.


‘Tomahawk’, for instance, one of the album’s leading anthems and a collaboration with Canadian producer Adam K, sees the pair mashing the classic conventions of trance with some distinctly modern aesthetics. Beginning with a familiar, seductively sweet melodic buildup, it gives way to a thundering, seizure-driven drop that channels the feverish noise of dubstep.


‘A Song Across Wires’ is also defined by the collaborations; the album sees Transeau continuing his long-standing love of working with the next generation of musical talent. Nearly every track is a coproduction, and in addition to Adam K there’s a sterling list of


producers that includes Russian prodigy Arty, Californian trance stars Tritonal and Armada label mate Tydi. Transeau himself returns to contribute vocals to several of the songs, though he’s also joined by seasoned professionals like JES, Christian Burns, Emma Hewitt and Nadia Ali.


“It just kind to came together like that,” he says. “Over the period of making this album, I was being exposed to such incredible new music. I’d be writing a song, and then I’d meet up with friends and we’d kind of finish it off together. Some really awesome people have participated.”


Above everything else, ‘A Song Across Wires’ stands apart from his previous albums because of how it’s built from the ground up for maximum dancefloor impact. Transeau says it’s actually the kind of exact kind of album that his fans have been begging him to make for years. “Something that is really exciting is that for the first time, it’s like the expectations of my fans have lined up perfectly with what I’ve authentically wanted to do. It’s the first time I’ve been inspired by what’s happening in dance music to the point where making an album for the clubs is something that made perfect sense to me.”


Much to his delight, he’s already had his approach validated via these same fans reactions on the dancefloor. “The coolest thing is that I’ve already road-tested every single one of these songs, and every single one of them blows up absolutely so hard that it’s crazy. I’ve never done that with any other album before. We’re one spot away from having four number one Beatport tracks on this album already. It’s unprecedented,” he says with a grin. “Nothing like this has ever happened before.”


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