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REMOTE CAMERA & LENS CONTROL


Full Remote Lens, Focus Assist and VENICE Camera Control


Ci media management and collaboration


Specifically developed for media professionals, Ci offers a secure, seamless and critically cloud-based workflow from shoot to post and studio. As well as XAVC proxy files it can also accept the VENICE’s X- OCN high contrast and wide colour gamut recording format from which it can create lower resolution proxy files like ProRes in the cloud for distribution to multiple locations. This allows WIP editorial to commence the same day and DI review for colour management. It also works both ways with the proxy files available back on-set for review on tablets or smartphones with minimal delay or having been worked on. Ci can be used as a stand-alone cloud storage system or can be integrated with existing workflows.


Find out more at sonymcs.com


Your first AC has been adjusting focus, iris and zoom from their own (often remote) station for some time working on a variety of lens control systems, like the Preston Cinema Focus and Microforce, Chrosziel MagNum and the Teradek RT range. It’s a fully evolved methodology with near universal use and one where many first ACs additionally bring their own familiar lens control system on-set.


With cmotion’s cPro


shutter, white balance, the built-in variable NDs and playback.


cmotion’s cvision focus assist further CMOTION’S CPRO LENS


lens control system this has been taken to a greater level of development. With an additional low- cost license the same unit from the same dedicated RF can be used by up to three operators with the cPro hand unit (for example, AC, DIT and cinematographer) to have full Sony VENICE camera control remotely in ‘RCP’ mode from which to change most camera functions including frame rates, ISO,


CONTROL SYSTEM ALLOWS YOU TO CHANGE MOST CAMERA


FUNCTIONS INCLUDING FRAME RATES, ISO, SHUTTER, WHITE


BALANCE, THE BUILT-IN VARIABLE NDS AND PLAYBACK


helps with range-finding with detailed optical measurements using two cameras measuring up to 250,000 reference points in real time. The image and data can then be displayed as a stereoscopic depth map on a touch PC (cabled or wireless) where the AC can not only activate autofocus but measure the set by simply touching an area on the screen with their finger or stylus and eliminate the need to run around set with


a tape measure (laser or otherwise) measuring distances to props and nervous actors. Taking social distancing to an extreme, cmotion are even looking at how a first AC might be effectively focus pulling from home by way of a LAN interface.


Find out more at cmotion.eu


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