SURVEY
PRODUCTION 100 TOP 100
raw tv
(All3Media) founder Dimitri Doganis creative director Bart Layton CEO Joely Fether md Piers Vellacott 2019 ranking 10 shows Don’t F*** With Cats (Netflix), The Windsors (CNN), All on the Line (Discovery), Meat: A Threat to our Planet? (BBC1)
A raft of Bafta and Emmy wins and nods for both its Three Identical Strangers film and Netflix doc Don’t F*** With Cats were obviously highlights for Raw this year. The company says it’s “not seen any loss of business” due to COVID as such but “a delay to filming which has resulted in a delay on delivery of programmes to the networks/ broadcasters.” Because of this, “revenue is forecasted to be roughly in line with 2019 over showing any growth.” Raw says it’s seen “an influx in large funded developments as a result of covid-19 from clients looking for
Don’t F*** With Cats
content from producers they have built strong long standing relations with” and “budgets have seen
an increase in costs owing to the increase in health and safety around Covid.”
Optomen (All3Media) ceos Nick Hornby, Tina Flintoff coo Sophy Walker 2019 ranking 51
shows Tyson Fury: The Gypsy King (ITV),Crazy Delicious (C4, Netflix), Great British Menu (BBC2), Snackmasters (C4)
outline (Tin Roof Media) md Laura Mansfield creative director Helen Veale Group ops dir Ulla Streib head of dev Adam Townsend 2019 ranking 100 shows Remarkable Places to Eat 1+2 (BBC2), Sarah Beeny’s Renovate Don’t Relocate s1 (UKTV, Really) and s2 (HGTV)
Tyson Fury: The Gypsy King
Outline says seeing its team “continuing to film, cut and deliver high quality programmes throughout Covid has been humbling.”
pacific md Rachel Purnell creative director Olivia Ball head of production Carl Green 2019 ranking 76 shows Pioneer Woman (Food Network USA), Barefoot Contessa (Food Network USA)
pioneer (Tinopolis) ceo Jonathan Hewes creative director Thomas Viner head of factual Peter Collins 2019 ranking - shows Ocean Autopsy (BBC4), How The Universe Works (Discovery), Chasing the Equinox (Nat Geo)
Pioneer Woman
Pioneer secured its “biggest budget commission ever” while growing its low-cost distribution- led programming. “Even with the pandemic, we will maintain turnover compared to last year.”
plimsoll ceo Grant Mansfield coo Christine Owen president, int’l Andrew Jackson 2019 ranking 22 shows Night on Earth (Netflix), Chasing Ocean Giants (Discovery), Britain’s Parking Hell 2 (C5)
Plimsoll picks its “continuing relationships with key networks and SVODs” as a highlight with Netflix’s Night On Earth a notable win. It says it’s “very fortunate” nothing has been cancelled with new commission wins too in recent months.
pulse (Vice Media) ceo, founders
Thomas Benski, Marisa Clifford CD non fiction Nelesh Dhand president scripted Jamie Hall 2019 ranking 11 shows Gangs of London (Sky/AMC), Beastie Boys Story (Apple TV), Aziz Ansari (Netflix), Bikram (Netflix)
rare TV ceo Alexander Gardiner creative director UK Rory Wheeler direc- tor of content Emma Barker 2019 ranking 54 shows Moun- tain Vets (BBC2), The Sheriffs Are Coming (BBC1), Digging for Britain (BBC4)
Gangs of London Autumn 2020 P35
Rare says the short term outlook for the sector is “bleak. Commercial channels are broke” and are carrying commissions unmade in lockdown. “However, factual is cheaper than drama, so there are opportunities.”
televisual.com
rdf (Banijay UK) md RDF Jim Allen head of RDF West Mark Hill CD Fizz Neal Simpson CD Little Wonder Claire Morrison 2019 ranking 18 shows Eat Well for Less (BBC1), Tipping Point (ITV), My New Greek Life (C5), Britain’s Most Expensive Home (C4)
Eat Well For Less
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148
