068 VENUE
MORE PHOTOS
The LED theme continued when LTT opted to install six Martin Pro- fessional MAC Aura washlights that produce powerful beams in the concert hall. These moving heads combine multicolour beam LEDs with a backlight LED array, which removes the synthetic appearance normally associated with a traditional LED washlight. The MAC Auras are supplemented by a Martin Professional Atomic 3000 strobe and a Martin Professional Jem K1 hazer. To complete the lighting rig, LTT chose eight Pulsar ChromaFlood 200 luminaires, each of which feature 66 3W LEDs and are therefore capable of creating many colour mixing possibilities.
Lighting control is provided by a Compulite Vector Violet console that features powerful effects programming, matrix programming, as well as graphical colour, gobo and video pickers, all in a compact package. There are also six Compulite CompuRack dimmer racks in place, each with 24 channels, which allow 3kW of power per channel.
From the beginning the Kashubian Philharmonic Hall was destined to be a beautiful architectural design. However, with a high-end technol- ogy set-up at its core it seems beauty also oozes from deep within.
www.mondodr.com
TECHNICAL INFORMATION SOUND
12 x Outline Butterfly C.D.H. 483 line array cabinet; 2 x Outline Butterfly C.D.L. 1815 line array cabinet; 2 x Outline DBS 18-2 passive subwoofer; 4 x Outline Mantas loudspeaker; 4 x Outline iSM115 monitor; 6 x Outline iSM212 monitor; 4 x Outline T-Five amplifier; 8 x Outline T-Seven amplifier; 1 x Avid Venue Profile mixing console
lighting
25 x Robert Juliat Lutin fixture; 32 x Robert Juliat 329H fixture; 8 x Robert Juliat 614SX zoom profile; 12 x Robert Juliat 700 SX2 profile; 12 x Robert Juliat ZEP 640SX profile; 6 x Martin Professional MAC Aura washlight; 1 x Martin Professional Atomic 3000 strobe; 1 x Martin Professional Jem K1 hazer; 8 x Pulsar ChromaFlood 200 luminaire; 1 x Compulite Vector Violet console; 6 x ix Compulite CompuRack dimmer rack
www.ambientsystem.pl /
www.ltt.com.pl
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148 |
Page 149 |
Page 150 |
Page 151 |
Page 152 |
Page 153 |
Page 154 |
Page 155 |
Page 156 |
Page 157 |
Page 158 |
Page 159 |
Page 160 |
Page 161 |
Page 162 |
Page 163 |
Page 164 |
Page 165 |
Page 166 |
Page 167 |
Page 168 |
Page 169 |
Page 170 |
Page 171 |
Page 172