118 VENUE
Photo courtesy of The Light Group
able and creative with. In the case of The Light Group, all of their lighting operators were well versed in Showcad,” commented John. An MA Lighting grandMA2 lighting console was added later to handle the theatrical elements of the show as well as to provide an alternate interface for any touring LDs who wish to use it. The MA Lighting grandMA2 lighting desk is intuitive and reacts quickly to real time control of all connected fi xtures and channels, this is often why it is a rider favourite for touring LDs. This project marks a number of fi rsts and John believes will lead the way for future clubbing venues as he concluded: “I believe this project to be unique in that it will probably serve as the catalyst responsible for changing how the world - or at least Vegas - sees nightclubs until the next seismic shift. Think about it. For as long as anyone can remember, the major choices in entertainment have fallen into one of two categories. You are either a passive voyeur sitting in a chair bolted to the fl oor and given something to watch or you are a participant in the event. “With Light, you are actually able to experience both types of en- tertainment at the same time. While dancing, drinking and roaming around, you get to see imagery, acrobatic performance and drama played out right in front of you. On the number of occasions that I have been able to witness patron response, they always seem tickled. While they cannot quite put their fi nger on what it is about the club, I can clearly see that they have fi nally found a place everyone in their group wants to stay. It bridges the gap between the shy and the boisterous. Everyone leaves satisfi ed albeit for different reasons. “Once this winning combination has been recognised and identifi ed, it will just be a matter of time before all new clubs try to capture this magic in a bottle. When this becomes the standard bill of fare for most nightclubs, the signifi cance of this venue will be understood as being the place that opened the door and pioneered it all.”
www.mondodr.com
TECHNICAL INFORMATION
SOUND 8 x EAW Avalon
Club.two loudspeaker; 2 x EAW Avalon Club. three loudspeaker; 1 x EAW Avalon
Sub.two subwoofer; 54 x Fulcrum Acoustic Prophile S coaxial loudspeaker; 4 x Fulcrum Acoustic Prophile P loudspeaker; 16 x Fulcrum Acoustic Prophile M loudspeakers; 25 x Fulcrum Acoustic Prophile US212 subwoofer; 10 x Fulcrum Acoustic Prophile US221; 8 x QSC AD-S82H loudspeaker; 22 x QSC AD-C152ST ceiling speaker; 18 x Crown Macro Tech 5000i amplifi er; 20 x Crown Macro Tech 9000i amplifi er; 2 x Crown CDi 4000 amplifi er; 5 x Crown XTi 4002 amplifi er; 4 x BSS Soundweb London BLU-160 signal processor; 2 x BSS Soundweb London BLU-BIB break in box; 1 x BSS Soundweb London BLU-BOB2 break out box; 1 x Soundcraft Si1 digital console; 4 x Pioneer CDJ-2000 Nexus multiplayers; 1 x Pioneer DJM-900 Nexus mixer; 1 x Rane Serato SL4 DJ interface
Visual
4 x Barco HDX W18 projector; 4 x Barco DL-3 projector; 718 x ReTop P6 LED tile
lighting
48 x Elation Platinum Beam 5R Pro moving head; 12 x Elation Platinum Beam 15R Extreme moving head; 44 x Elation Platinum Spot 5R Pro moving head; 12 x Elation Platinum Spot 15R moving head; 28 x Elation Platinum Spot 35 moving head; 8 x Elation Rayzor Q7 moving head; 22 ETC Source Four Leko profile; 28 x Chauvet Professional COLORado Batten 72 washlight; 2 x Martin Professional Atomic Strobe 3000 effect; 1 x MA Lighting grandMA2 lighting console; 2 x Showcad Artist software package
www.thelightvegas.com
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