49
167
168
169. JelliCoe, G[eoffrey]. a[lan]. Baroque gardens of austria. London, Ernest Benn Limited. New York: Charles Scribner’s Sons, 1932.
£675
Folio (453 x 320 mm). royal blue half morocco gilt over blue cloth boards, top edges gilt, the remainder uncut, preserved in the original blue card slipcase; pp. [8], 48, interleaved with 40 plates and 22 line drawings within the text; small area of old water-staining to the head of the spine, affecting a small area of the upper margin of the first few leaves, otherwise an especially bright, fresh copy.
one of a limited edition of 25 signed and numbered copies. this copy numbered 14. Printed at the alcuin Press, chipping campden.
169
170
170. JoHns, Captain W.e. (author). leslie stead (illustrator). Biggles and the Poor rich Boy; another case from the records of Biggles and the special air Police. Leicester; Brockhampton Press. 1961.
£88
8vo. original tan textured cloth lettered in dark green, preserved in bright pictorial dustwrapper; pp. [vi], 7-182 + [ii]; a fine copy preserved in a near fine unclipped dustwrapper (priced 8/6) with a light crease to lower panel.
First edition. Biggles is on the hunt for the kidnapper of a twelve-year-old boy.
“ManY Faults i haVe correcteD, soMe suPerFluities i haVe taKen aWaY, anD soMe DeFiciencies i haVe suPPlieD?”
171. JoHnson, samuel. a Dictionary of the english language: in which the Words are deduced from their originals ... to which are prefixed, a history of the language, and an english grammar ... Printed by W. Strahan, for W. Strahan [et al.]. 1773.
£6,000
Folio. 2 vols. sometime rebound in brown reverse calf spine with original brown reverse calf laid on to boards, spines divided in to seven compatments with raised bands, gilt maroon morocco labels to second compartments, gilt green morocco labels to third compartments; unpaginated; titles printed in red and black; previous owner’s pencil inscription to verso of ffep of vol ii, internally fresh and very good indeed.
Fourth edition, the first revised edition in which Johnson added new words, corrected errors and included more illustrative quotations from Biblical, technical and literary sources to create a substantially different and longer work.
“significant numbers of new illustrative texts were incorporated, while many others were dropped and replaced. [he] often flooded existing entries with new illustrations, sometimes accompanied by additional definitions or other material, thus altering the reading of the entry as a whole. Many of the new sources from which he borrowed were theological writers, and the cumulative effect of the new quotations and their accompanying definitions or notes on usage is to draw attention to a broader theological sense of the word in question.
...Johnson revised no other work as extensively or after such a long period of time had elapsed - he was thirty-seven when he signed the original contract with the booksellers for the Dictionary, almost sixty-three when he began the great revision; the scrutiny of his own work and accomplishments entailed in the effort, therefore, is unlike anything else to be found in Johnson’s canon” (allen reddick, the Making of Johnson’s Dictionary 1746-1773, pp. 89-92).
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