040 AUDITORIUM LIGHTING / HARPA CONCERT HALL, REYKJAVÍK, ICELAND Photograph: Courtesy Zumtobel
During the daytime the facade creates kaleidoscopic shadows that are projected onto the walls and floor.
PROJECT DETAILS
Harpa Concert Hall, Reykjavik, Iceland Client:
Architect: Henning Larsen Architects / Batteriid Arkitekter Lighting Design: Interior - Henning Larsen Architects / Facade - Olafur Eliasson (aided by Light Makers / Ramboll) Lighting Design: Plaza and Underground Car Park - Verkis Lighting consultants: Light Makers / Zumtobel Lighting specifier: Ramboll
LIGHTING SPECIFIED Indoor
SOLAR Monsun T5 fluorescent SOLAR Horus surface mounted projector SOLAR Xenon surface mounted projector Louis Poulsen Beat recessed downlight Thorn Arrowslim surface mounted batten
Fagerhult Pleiad Comfort 175, 215 & 255 recessed downlight Fagerhult Pleiad Power GL2 recessed downlight XAL Frame 50 Opal recessed linear Zumtobel Miros surface mounted spotlight Zumtobel Tecton Tetris continous row T5 fluorescent Zumtobel Panos M100 & M250 QT-DE recessed downlight iGuzzini Minimal Large Round, 8835 recessed downlight LUMIANCE Axo XS spotlight
LUMIANCE Nanotrack slim single circuit track iGuzzini Minilaser adjustable, 8091 recessed spotlight iGuzzini Frame recessed spotlight ERCO recessed downlight
create a coloured aura around shadows cast by pedestrians, much to the delight of the youngest generation. Along the road traversing the entire building there is a co- loured plastic wall separating the technical area from the main area. Dispersed behind the wall are vertical luminaries of various heights that represent musical notes flowing through the building and at the same time providing warm light into the space. The lighting of the plaza had to serve pedestrians as well as several events con- nected to Harpa held at the plaza. “We quickly realised that the lighting could not distract attention nor block Harpa, especially for photoshoots,” states Þor- steinsdóttir. “Low bollards could be used for pathways but not for the event lighting. However, by mixing bollards, lighting at the
DEUTSCH
Das Beleuchtungsdesign für das Harpa Konzert- und Konferenzhaus wurde durch Henning Larsen Architects, Batteriid Arkitekter, Zumtobel und ihrem dänischen Vertriebspartner Light Makers entwickelt. Artist Olafur Eliasson entwickelte das in die Fassade integrierte Beleuchtungskonzept für den Außenbereich. Das wech- selnde Tageslicht und die Umgebung verleiht dem Ge- bäude eine endlose Farbenvielfalt. Um diesen Effekt zu steigern, wurde eine spezielle Beleuchtungslösung für die Vorderfassaden entwickelt. Dafür wurden Streifen von sich farblich anpassenden LED-Lampen verwendet, um die Farbe und Intensität jedes Steins individuell zu kontrollieren. Die Eingangshalle wurde zur Stadt hin ausgerichtet, um die Verbindung zwischen Stadt und Konzerthalle zu unterstreichen. Auf diese Art und Weise können Publikum und Besucher des Gebäudes den Blick auf das Meer und die Stadt genießen und
base of the bridge and projector lighting from high poles, we could reduce conspicu- ous elements that interfere with the field of vision. It was essential that the lighting ele- ments selected would not cause glare and we had to ensure that no one could look directly into the light source itself.” There are two types of projectors used on the square, ‘Zoom’ to illuminate paths and ‘Gobo’ to create mood with shadow images from nature, tree images on the pavement and wave images on the rocks. By changing the images or using coloured filters, Harpa can change the mood to suit the seasons or events.
www.henninglarsen.com www.olafureliasson.net www.verkis.is
ERCO surface mounted cylindrical fitting OSRAM LINEARLight Flex linear LED strip OSRAM LINEARLight Track
GLAMOX Alfa Oval surface mounted luminaire Hess Ledia LL ID slim line luminaire OSRAM Sirius wall washer
MODULAR Multiple Surface 2-lamp gimble * note: not all lighting specified was installed by contractor Façade
Zumtobel custom made RGB LED units with DMX 512 control Plaza
Bridges – Proled
Staircase handrail - Dengsi Pole lighting – WE-EF Bollards – BEGA
Underground Car Park
Music note wall – Custom made by Flurlampar Parking area – Custom made by Led lampar Pedestrian crossing – Custom made by Led lampar Entrance to Harpa - Rovasi Wall washers – Meyer Entrance – Wibre and Simes
die Menschen in der Stadt erhalten ein faszinierendes kaleidoskopisches Spiel von Schatten und aktive Feststimmung beim Blick auf das Gebäude bei Nacht. Wenn die Türen, die die gesamte Wand zwischen dem Konzertauditorium und den umgebenden Akustik-Kam- mern bedecken, geöffnet sind, erzeugt fluoreszierendes Licht einen Tageslichteffekt, der von den Kammern zu der dunkeln Halle fließt.
ITALIANO
Il progetto d’illuminazione per l’Harpa Concert Hall e il Conference Centre è stato sviluppato da Henning Lars- en Architects, Batteriid Arkitekter, Zumtobel e il suo dis- tributore danese Light Makers. L’artista Olafur Eliasson ha invece sviluppato una concezione d’illuminazione per l’esterno, integrata nella facciata. La luce del giorno in continuo cambiamento nonché il paesaggio naturale circostante conferiscono all’edificio una infinita varietà di colori. Per esaltare tale effetto è stata pensata una
soluzione d’illuminazione per le facciate frontali, con l’utilizzo di strisce di luci al LED colorate e regolabili per controllare il colore e l’intensità di ogni singolo mattone. L’atrio è stato orientato in direzione della città per esalt- are il legame tra la città stessa e la Sala dei Concerti. In tal modo il pubblico nonché i visitatori dell’edificio possono godere della vista sul mare e sulla città mentre I cittadini stessi sono allietati da un affascinante gioco caleidoscopico di ombre e di festività nell’osservare l’edificio di notte. Quando vengono aperte le porte che ricoprono l’intero muro presente tra l’auditorium e le stanze acustiche che lo circondano, della luce fluo- rescente andrà a creare un effetto luce del giorno che fluttua dalle stanze verso il corridoio scuro.
ESPAÑOL
El diseño de iluminación para el Harpa Concert Hall and Conference Centre fue desarrollado por los Arquitectos Henning Larsen, Batteriid Arkitekter, Zumtobel y su dis-
tribuidor dinamarqués Light Makers. El artista Olafur Eliasson desarrolló el concepto de la iluminación exte- rior integrado en la fachada. La luz natural cambiante y los alrededores le otorgan al edificio una variedad de colores sin fin. Para realzar este efecto, se desarrolló una solución de iluminación especial para las facha- das del frente mediante el uso de líneas de luces LED ajustables de colores para controlar el color y la inten- sidad de cada ladrillo individualmente. El vestíbulo ha sido orientado hacia la ciudad para resaltar la conexión entre la ciudad y el hall de conciertos. De esta forma, los espectadores y los visitantes del edificio pueden disfrutar de vistas al mar y a la ciudad; y la gente de la ciudad dispone de un fascinante juego de sombras ca- leidoscópico y la celebración activa al observar el edifi- cio durante la noche. Cuando las puertas, que cubren la pared completa entre el auditorio de conciertos y las cámaras acústicas que lo rodean, estén abiertas, una luz fluorescente creará un efecto de luz natural flotando desde las cámaras hacia el oscuro hall.
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