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“Putting Aesthetic Education to Work,” Journal of Aesthetic Education, Vol. 6, No. 3 (July 1972), pp. 99-108.


“Patterns for the Future,” Music Educators Journal, Vol. 63, No. 4 (Dec. 1976), pp. 22-29.


“Philosophical Monism in Music Education: Some Thoughts in Response to Douglas Lemmon’s Paper,” Bulletin of the Council for Research in Music Education, No. 51 (Summer 1977), pp. 10-13.


“Education for Aesthetic Awareness: The Cleveland Area Project,” Music Educators Journal, Vol. 64, No. 6 (Feb. 1978), pp. 66-69.


“The Yale Conference: A Critical Review,” Bulletin of the Council for Research in Music Education, No. 60,


The Yale Seminar on Music Education (Fall 1979), pp. 5-14.


“Building an Aesthetic Education Curriculum: A Model and Its Application,” The High School Journal, Vol. 64, No. 2 (Nov. 1980), pp. 36-49.


“Toward a More Scientific Approach to Music Education Research,” Bulletin of the Council for Research in Music Education, No. 83 (Summer 1985), pp. 1-22.


“A Response to the Question of Elitism: Elitism, Open and Shut,” Bulletin of the Council for Research in Music Education, No. 93 (Late Summer 1987), pp. 22-25.


“Scholarship and Pedantry: A Response to Dennis Johnston,” Bulletin of the Council for Research in Music


Education, No. 97 (Summer 1988), pp. 16-18.


“Essential and Nonessential


Characteristics of Aesthetic Education,” Journal of Aesthetic Education, Vol. 25, No. 3, Special Issue: Philosophy of Music and Music Education (Autumn 1991), pp. 193-214.


“Langer on the Arts as Cognitive Langer on the Arts as Cognitive,” Philosophy of Music Education Review, Vol. 1, No. 1 (Spring 1993), pp. 44-60.


“Gender, Feminism, and Aesthetic Education: Discourses of Inclusion and Empowerment,” Philosophy of Music Education Review, Vol. 3, No. 2 (Fall 1995), pp. 107-124.


Continued on page 16


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Wisconsin School Musician 15


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