This page contains a Flash digital edition of a book.
Accessories


Te Kavanjo® Banjo Pickup System is a magnetic humbucking pickup and jack suspended from a customized mylar head. Tis is the newest and we believe the most effective way to amplify ANY banjo, while maintaining the instruments authentic characteristics.


Use your own banjo! Requires no pre-amp! Made in the USA! Everything is in the head so just change the head and you have a pickup installed!


“Te banjo is a fairly loud instrument acoustically but very difficult to amplify. Trough a mic the banjo oſten sounds harsh and thin. Most banjo pickups over emphasize the treble tone of the instrument and miss the tonal depth. Te Kavanjo® pickup gets it just right....your banjo only louder! When I am playing a concert with Doc Watson we oſten play for 2000 people, sometimes and many as 250,000. A mic just won’t deliver the full tonal range of the banjo when it is cranked for giant audiences. Even in these extreme situations the Kavanjo® performs perfectly. It allows me to keep the banjo in the mix even when Doc is plugged in and at high volume. Tank goodness there is finally a great pickup that amplifies the tonal warmth and power of the banjo!” - David Holt


High Collar 11” #PU-K-HC $299.00 Medium Collar 11” #PU-K-MC $299.00 A. E. F. B. C. D. Banjo Heads G. H. All Goodtime Banjos come with a High


Crown head. Deering and Vega and Tenbrooks banjos come with a Medium Crown Head. Boston banjos come with a High Crown head.


A. B.


Clear - The clear head has a sweet tone with clear distinction and long sustain. It has a bit less bass response than the bottom frosted head. Some say it is brighter. High - #H-H3 or Medium - #H-M3 $31.00


Bottom Frosted - This head is very popular with tenor and plectrum banjoists because the smooth outer surface is quieter when strumming. The head has good bass response. High #H-H2 or Medium #H-M2 $30.00


C.


Prism - Showy appearance and a bit like the black head in tone but brighter. A popular head for tenor, plectrum, and Crossfire electric banjos both for tone and appearance. High-#H-H8 or Medium #H-M8


$33.00 D.


Kevlar - On a four or five string banjo, the Kevlar tends to have a brilliance and emphasizes the high frequencies like you would hear in an archtop banjo. The head is stiffer and the texture of the head is like an orange peel. This head sustains well and is crisp. It is sweet and strong on the six and twelve string banjos.


High #H-HK or Medium #H-MK $35.00 H. E.


Black - Strikingly different, this head is somewhat mellow in tone with long sustain, lots of low frequency response (bass) and not as crisp as a clear or bottom frosted head. More sustain than the fiberskyn and not plunky at all. High #H-HE or Medium #H-ME $30.00


F. G.


Fiberskyn - A favorite with old time, clawhammer, and frailing players. It is preferred for its warm, round character. It tends to have a more plunky sound. High #H-H5 or Medium #H-M5 $33.75


Renaissance - Another favorite of the old time and clawhammer/frailing styles. With a smooth top and opaque honey color, this head has a bit more brightness than found in the fiberskyn head. High - #H-H6 or Medium #H-M6 $31.00


Top Frosted - The most popular head made for a 5-string banjo. It is crisp, bright with good snap, not too much sustain, good clarity and note distinction. GOODTIME- High #H-H1 $30.00 DEERING/VEGA Medium #H-M1 $30.00


83


PROFESSIONAL SERIES


GOODTIME SERIES


EAGLE SERIES


NEW RELEASES


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96