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FACTUAL BEST DOCUMENTARY SERIES WINNER


IN THE HEAT OF BATTLE


ONCE UPON A TIME IN IRAQ BBC2 KEO FILMS


RUNNERS-UP


Director James Bluemel explains how a focus on character driven narrative was the key to his series about the history of a bloody conflict


Once Upon a Time in Iraq has won awards and high praise – one review called it a “gripping harrowing masterpiece”. But for Director James Bluemel, the highest accolade is the positive reception it received from the Iraqis and Americans whose personal stories featured. “I made a documentary series for the BBC


THE SCHOOL THAT TRIED TO END RACISM CHANNEL 4 PROPER CONTENT


(Exodus) following refugees from their country of origin all the way to their final destination in Europe,” he says of how the idea for a series about the Iraq War arose. “After making six films over four years, I


found the subject quite difficult to leave. I didn’t want to repeat Exodus, but I did feel there was something more to say. What it did well it did well. But what it didn’t do was provide any of the context for what I’d witnessed.” Bluemel set out to make a series that


THE RISE OF THE MURDOCH DYNASTY BBC2 72 FILMS


showed the West’s fingerprints on the origins of the refugee crisis.


“I wanted to follow the breadcrumb trail


back from to the rise of ISIS then all the way back again to the invasion of Iraq in 2003 using the grammar of Exodus, which is character-driven,” he explains. “There would be a connection between the two, with what became Once Upon a Time in Iraq acting as a prequel.”


THE IRAQIS WERE REALLY, REALLY KEEN FOR SOMEONE TO TELL THEIR STORY AND BE LISTENED TO


With his commitment to first-hand,


character-driven narrative, he knew he could only tell the story he wanted to tell by giving a voice to people on the ground who had personally experienced the impact of the decisions governments and politicians made. Bluemel adds: “What felt interesting was the people living with the consequences. This


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