Techniques used


The construction begins with a millinery wire frame, shaped to sit towards the back of the head. The wire is wrapped with celluloid braid to conceal the piece’s structure. Crinol braid forms the foundation of the headpiece and is shaped into a shallow cap that follows the curve of the head. Into this open structure, the same celluloid braid used on the frame is interwoven through the crinol in a chainstitch- like manner, creating both pattern and stability. This method allows the decorative element to become integral to the structure, rather than merely applied to it. Along the sides and front edges, the design becomes more sculptural. Bundles of three loops of celluloid braid are arranged closely together to form a repeated leaf-like motif and are sewn onto the headpiece. The piece is unlined, preserving its translucent quality and reinforcing its lightness. To wear it, the wire frame is gently bent to fit and secured with hairpins, relying on careful shaping rather than internal fittings for stability.


Although modest in scale, the piece demonstrates how mid-century hat makers combined simple materials with traditional


millinery techniques to create refined yet expressive forms.


HATalk | APR 2026


INDEX PA G E


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