WORKROOM TECHNIQUE
Before you start 01
Use Procion MX fibre-reactive dyes The MX designation is important: it means the dye is activated by cold water, with no heat required. Some Procion dyes carry the letter P, which indicates they need heat to bond properly. For sinamay work, always look for MX. Procion dyes are available from specialist textile suppliers including Dharma Trading. They are sold in larger quantities than most milliners will ever need, so look for retailers who sell smaller amounts.
02
What you need Tools
Glass jars or ceramic/plastic containers in a range of sizes
Bucket
Plastic or ceramic spoons for mixing
Full, juicy brush for painting Rubber gloves Old towels Dust mask
Materials Sinamay
Procion MX fibre-reactive dyes (fuchsia, yellow, cyan as a starting palette)
Household bleach 04 august 2026 | 71 03
Procion dyes in powder form need careful handling. The dry pigment particles can become airborne, so mix the dye before working with it and consider a dust mask when measuring out the powder. Work on a large damp towel, or outdoors if possible, to contain any spills. Once mixed with water the dye is much easier to manage – a spill is visible but can be cleaned up with bleach. Use plastic or ceramic spoons rather than wooden ones when mixing: wood absorbs the dye and will contaminate future batches. Keep a bucket of clean water nearby to rinse hands between handling jars and mixing vessels, and wear gloves throughout.
I work with what I thinks of as true primaries: fuchsia, yellow, and cyan (a turquoise blue). These three colours mix to create almost everything I need. Sinamay is unusually forgiving to dye, and this is directly linked to its open weave. Because the fibres are so spaced, the dye passes through the fabric without needing constant agitation – you do not have to keep moving it. A piece can sit crumpled in a bucket and still colour evenly. A finer weave, even one that is similarly open, would go blotchy without constant stirring.
The stiffener that most sinamay comes pre-treated with does not block the dye at all. The dye passes straight through, and the material remains easy to work with afterwards. One small caveat: sinamay will fade in prolonged direct sunlight over time, as will most dyed natural fibres. Hats stored in boxes are generally fine, but this is worth bearing in mind for pieces that will be displayed.
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84