search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
OPERATING THEATRE TECHNOLOGY


means having to mine for it, or plead with companies for a specialist piece of software to interface to their system. All activities can produce data: it


could be logs, status reports, statistics, key-presses, messages, audio and video footage, and so on. The problem is that the data can be in any format and on any media – the trick is to compile those data streams into something coherent and usable. This is why we design systems that use open standard protocols, and provide open APIs to give the best chance of exchanging data with other systems. Hospital systems, whether inside the


operating theatre or not, can play a part in publishing and subscribing to a common data platform. Every single piece of data has the power to be useful, and we should gather as much of it as we can and then figure out what is, and what is not, of benefit. The problem is that we currently have very inefficient data management systems. We typically maintain multiple systems for queuing data; what is needed is a centralised system that efficiently stores and can publish that data, but only to those systems that need or want it – subscribers. In resolution of that problem, there are platforms such as Kafka that can collate, normalise, and distribute, seriously large streams of data in a publisher/ subscriber process.


Conclusion


In the main, the operating theatre is digitally cut off from the rest of a rapidly evolving and connected healthcare world, and this is because of inherent limitations in current system design and the underlying technology deployed. To create a new category – that of an open platform and standard IP system – we need a converged video and data services infrastructure that operates on standard IP switch technology. In addition, the data transport streams need to cater for much more than just data or video; to connect multiple devices and appliances that are very different in nature and purpose, the bundle needs to include multiple video and audio streams, IP data,


USB, and KVM extensions, IR and serial command interfaces, and, where possible, power delivery – all over the network infrastructure. Once the theatre’s ecosystem becomes a true cyber physical system, then the outside world – companies like Microsoft, Google, Apple, and other giants, all the way down to small start-ups with a unique innovation – can join the system to provide services using artificial intelligence, 3D modelling, virtual and augmented reality and virtual presence, and remote-control robotic surgery. Once these systems are commonplace, a fertile and accessible market will exist for all newcomers to develop applications and finally create Surgery 4.0. Humans are flawed and prone to error; this is nothing new, and it is no different in surgery. In the safest trains, planes, automobiles, and cars, the ‘driver’ or ‘pilot’ is but a passenger at the tricky moments – like landing, docking, parking, maintaining a safe distance, and emergency stopping etc. The future is bright, and a roadmap to


safer automated surgery by robots, driven by superfast cloud-based AI algorithms, exists, but it requires a collective will to change the current ecosystems, with pressure put on the incumbent providers to open up.


References 1 Stavroulis A, Cutner, A Liao L-M. Staff perceptions of the effects of an integrated laparoscopic theatre environment on teamwork. Gynecological Surgery 2013;10:177-180. https://tinyurl. com/2p83938k


2 Patient Safety Primer: Wrong-Site, Wrong Procedure, and Wrong-Patient Surgery [Internet]. Agency for Healthcare Research and Quality; 2019. Patient Safety Network. https://tinyurl.com/4ta2h48a


3 Chassin M, Becher. The Wrong Patient. Ann Intern Med 2002;136:826-833. https://tinyurl.com/5n8mmdru


4 The Commission on the Future of Surgery (Royal College of Surgeons). Future of Surgery Report. 2017. https://tinyurl. com/2p9dh7fp


Colin Dobbyne


Colin Dobbyne CEng, MIET, is an experienced product designer for operating theatre control and workflow systems. He has designed systems for Smith and Nephew, Conmed Linvatec, Maquet, Karl Storz Endoscopy, and the Novanta Group. He is the founder of 4 Medical IT, a specialist in operating room integration and data sharing and communication systems, and the creator of TheatreWatch – a cloud-based service that ‘connects surgeons worldwide to democratise knowledge and share best practices, with live video remote expert interaction and student access to teaching materials’. He has won three international awards for innovation and the best use of technology in healthcare, including a British Medical Journal award for the deployment of TheatreWatch in Tanzania for live surgical tele-mentoring from the UK, helping establish a laparoscopy service for millions of Tanzanians. He said: “The creation of open platform, non-proprietary, data-sharing and connected theatre systems is the fulfilment of a career ambition. I am passionate about what this system can unlock, and how new technologies can transform surgery and herald in Surgery 4.0.”


+44 (0) 161 627 7947 www.safelocking.co.uk


THE KEY TO THE WHEELS TURNING Practically Stored - Securely Managed


FLEET KEY AUDIT TRAIL ENABLE ACCESS TO CERTAIN USERS ACCESS TO BOOKED KEYS ONLY ENSURE MILEAGE & DAMAGE REPORTED


September 2022 Health Estate Journal 61


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112