TELEMARK
GRANT NAKAMURA
EMBRACE THE SLOW TELEMARK MOVEMENT TO WORK OUT KINKS IN TECHNIQUE
By Matt Charles relaxed pace and designed to be enjoyed in tranquility. If slowing W
things down can truly enhance an experience, I’d like to suggest that your next telemark turns should be slow. Very, very slow. One of the best ways to find kinks in
your telemark technique is to make turns that are extremely deliberate. Find a hill that’s not much steeper than horizontal and try to make the slowest turns you possibly can. Tis small drill can help you discover unresolved issues with your tele performance. When I make slow, unhurried turns, I ask myself these questions.
104 | 32 DEGREES • FALL 2016
1. Where in the turn do I feel unbalanced, and what moves am I making to get myself back into balance? A balanced position is the result of a solid blend of skills, and slow skiing can help you identify the precise sections of the turn where your mechanics are breaking down. When attempting to fix these problems, remember that subtle movements in the feet and ankles might do more for your balance than larger movements of the hips and center of mass (CM). At these slower speeds,
tiny.cc/u3dtey
For optimal on-snow-performance, strive for a blend of skills that promote balance.
This video from the Telemark Technical Manual RffHUV LQVLJKW RQ KRZ WR GR WKDW
a little foot shuffle or ankle flex (especially of the lead foot) offers more surgical precision than a hip thrust or body launch.
e live in a hustle-bustle world of fast food restaurants and instant gratification. Te “slow food” movement offers an antidote with meals that are handcrafted at a
VIEW VIDEO
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124