This page contains a Flash digital edition of a book.
SNOWBOARD


The full-on snowboard carve... a thing of beauty. GRANT NAKAMURA


TIPS FOR TURNS THAT TURN HEADS: CARVING FOR FORM AND FUN


By Dave Lynch


arving seems to be making a comeback, getting more attention on the hill and being featured in more snowboarding videos. I’m not talking about conservative, dynamic, balanced, and symmetric carved turns you master for TACTIC 1: DROP THE BACK KNEE


C


certification. I’m talking about the kind of carving where you’re over-committed, risking it all, and just hoping your edge somehow holds. Te kind of turn that, well, turns heads. I’ve broken down some ways you can achieve this kind of carving yourself, as well as teach it in your more advanced lessons.


100 | 32 DEGREES • FALL 2016


One way to play with carving for style is to simply drop your back knee on your toeside turn. Bend your rear knee as though you’re trying to drag it through the snow (even better if you actually do). To do this, start your toeside carve as you normally do, but as you approach the


apex, keep driving your rear knee toward the snow (photo 1). To get even more flex from your rear


knee, you will probably feel the need to twist your shoulders and hips forward, which may cause a stretched lead hip and a flexed rear hip (photo 2). Dragging your hand a bit might help your balance the first few times. In this position, you are really committed to finishing the turn. Any bump or change in snow condition will probably send you skidding off of your line. But sticking the line is not the goal; the goal is having fun while feeling the carve.


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124