062 PROJECT / THE WIT, CHICAGO, USA
Lightswitch worked closely with the interior
designer ensuring that the chosen lighting
coordinated with the finishes and furniture
the pendants adding a desirable glow while the finishes and furniture. ming systems. With DALI, each luminaire
still using very little energy. Coves occur at The state of the art movie theatre, aptly can dim independently or as part of a
every floor including the spa and reception named Screen, hosts corporate events and group. When Mor presented the system to
desk. The spa remains illuminated even private rentals. The owners requested very the Chicago Section meeting of the Illumi-
when closed which invites guests to return specific lighting controlled from a single nating Engineering Society, everyone was
the next day. location. Dimmable and directional LED impressed.
By paying close attention to colour tem- steplights illuminate the floor. For the Lightswitch Architectural supported the
perature and colour rendering in the guest rest of the space, the design team chose owner throughout the design/build process
rooms, Lightswitch designed a comforting luminaires that did not add audible noise or by advising on all technical, practical and
residential atmosphere. hum into the cinema. Fibre optic lighting budgetary concerns related to the lighting.
Designer Avraham Mor says, “My goal was provided a perfect solution with remotely To streamline efficiency and maintain fiscal
creating a room where the lighting was good located illuminators. The client can easily control, the lighting equipment is owner
enough that my Bubbe (Yiddish for grand- adjust the colour of the light produced by supplied reducing VE issues that typically
mother) could have put on her makeup.” the illuminators depending on the event happen. This allowed the team to maintain
This proved an extra challenge because the using touch screen controls. an environmental focus, control and man-
building used primarily sustainable lighting The conference rooms have DALI controls age purchasing and delivery, and minimise
choices such as compact fluorescent lumi- (Digital Addressable Lighting Interface installation times. These efficiencies saved
naires (CFLs) that typically have less ac- System) widely used in the European market time and money and contributed to theWit
curate colour rendering. Lightswitch worked but still new to America. Dimmable CFL Hotel opening on schedule and within bud-
closely with the interior designer ensuring luminaires incorporate on-board dimming get – critical factors in today’s economy.
that the chosen lighting coordinated with eliminating the need for traditional dim- Lightswitch Architectural’s role also ex-
JAPANESE
O
…?‘“ °Ìs”st «d› UDólst 个酒店中仅利用了20种灯具,简化了长期的 révélé prohibitif. Lightswitch Architectural a finalement
M{o” 维护工作并获得更具经济效益的设计。另 opté pour un plan mêlant la technologie LED et les
-JHIUTXJUDI
"SDIJUFDUVSBM7Ì °xs‘í 外,遍及酒店的感应传感器通过关闭不必要 éclairages compacts fluorescents, halides et incan-
PqÍ”¿éÕŸÃwÄ«£´éÓw™\ Í
¼-›`^ïz ²Ã›Pmmj ™$› 。力电省节明照的 descents. Bien qu’il y ait plus de 120 types de lumi-
{ÄÓ s·ï8¯ xzŠwÌ:ppbt ° p”
R­tÏqMé›Ã\q”M`dho{” Lightswitch Architectural环明照种各了计设 naires différents, seulement 20 types de lampes sont
CtÜ”½Ì›”Æ ²ÃQ-Mo{hJHIU  ïß³wïµ›  ²ÃÜO»zx‘µ‰§s 境用于反映满意的精密效果并增加该建筑 utilisées dans tout l’hôtel, simplifiant la maintenance à
TXJUDI
"SDIJUFDUVSBPMCtUÜz”½“˜ ¿UžæzÃXL‰ $Ös ±“Mt’q^›h 物的特色。在大厅内,魅力四射的翼状定制 long terme et permettant de parvenir à un design plus
›™ O`
³ °›ÌhïåVÓ-`i{h
H $ Źd s T`›>“ Z‹ M`{o” 吊灯照亮巨大、宽阔的入口,造成一种戏剧 économe. De plus, les capteurs placés un peu partout
Fw\M
÷›s æ`qÛqzmçmdhÏw 。调色的性 dans l’hôtel permettent d’économiser de l’énergie
T”x”ªx®çoɤt pwôMËD
CHINESE
en éteignant toutes les lumières inutiles. Lightswitch

ó{”KUpsw ‹› [iœ“
FRANÇAIS
Architectural a conçu de nombreux environnements
ìq
¶s‹q‹Í”x¿éÕŸÃw§æÝž 在早期的概念设计阶段,开发商和建筑师团 lumineux qui reflètent un désir de sophistication et
-&%1›çÏ
÷ æw l`MKoXUth z 。师计设明照位一括包队 Lightswitch Ar - Au début des étapes de conception, le développeur d’amélioration architecturale. Dans le lobby, les chan-
-&%PxçÏw
÷ æ UÄ
2µ¯\™G”st chitectural加入该团队并设计出一种照明 et l’architecte ont été épaulés par un designer en deliers à couper le souffle mettent en valeur la vaste
Uq
QAÌ`{h-Á JHIUTXJUDI
"SDIJUFD  方案,为该建筑增添光彩并突出其古怪的装 lumières. Lightswitch Architectural a rejoint l’équipe entrée et donnent le ton du décor.
UVSBM-x &%,Ä«ÍïU¯q [ «ç»nÝ z 饰,与此同时还纳入了可持续性技术,比此类 pour préparer un plan complétant l’architecture et

(zÅ  åäË °Ì
ó› ù$ t Ö“ Ô• 。量能的少更耗消筑建型典的模规 mettant en valeur le décor, tout en intégrant des tech-
DEUTSCH
`>R›{ïh ²  °Ì” sŽŸw Í 该美国开发商最初要求建设一座完全为 nologies durables et capables de consommer moins
ç
¶.Â× ÓUzp¤ ”K»p–;h•^ LED照明的建筑物,但不幸的是LED建筑 d’énergie que la plupart des bâtiments de cette ca- Zu Beginn der konzeptuellen Stadien hat der Bauun-
Tc˜xwÕ8$“‘t•\{hli s 。贵昂于过格价的物 Lightswitch Architec - tégorie. ternehmer und Architekt einen Beleuchtungsdesigner
®Äµ¯“p‘wUµ•ïz^Æo m=ÂïÝ tural最终选择了一种使用LED技术与小型 Le développeur américain avait au départ demandé hinzugezogen. Lightswitch Architectural kam zu dem

¶.çÂ×t’^lt {hlsq‘ïM ²Ã 荧光灯、金属卤素灯和白炽灯混合的设计 un bâtiment entièrement illuminé par les LED, mais Team und hat ein Beleuchtungsschema entworfen,

Æ
žzèbpAq;U”\±ïh•·^
ƒ” 。案方 1有管尽 20,型类具灯的同不种多整在 malheureusement le prix d’une telle installation s’est das die Architektur unterstreicht und das eigenartige
Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140