This page contains a Flash digital edition of a book.
138 LAST PAGE / TRAFFIC ISLAND, SWEDEN
BUILT WITH LIGHT
NO. 24: TRAFFIC ISLAND, SWEDEN
Sharon Stammers continues her world tour exploring the best architecture that is built with light. This
issue, Joran Linder departs from the normal impressive building by choosing a little cottage in Sweden
Built with Light No. 24 is going to for Glue-Peter) is also well known for
depart from the norm and needs a bit of projects such as his urban bird nesting
explaining if I can get it past the Editor boxes and together they built (and
(it’s a strange one but I’ll let it go! Ed). lived in, or so the internet says) this
The thing with asking a designer to small house, an illegal installation that
nominate a building that is fundamentally captures people’s imagination and (go
about light and moves them in some way on, admit it) makes you smile. Their
is you can never be sure what you will get projects are mostly about recreating and
and once you’ve asked you have to write re-imagining urban spaces and making
about it anyway. (That’s not strictly true something completely unexpected and
“High on a wooded cliff between two noisy
– I should have put money on the fact special: in this case the escape that the
highways, there is suddenly a miniature that Kevin Mansfield would choose the Swedish countryside provides.
Swedish summer cottage, painted Pantheon and Mark Major, Hagia Sophia.) So why did Joran choose it and what’s
traditional red with white corners. Of To date, the Back Page has covered it got to do with Light? I think the key is
course, it did not just arrive up there by 23 amazing buildings, both classic and in the line at the end of the paragraph:
itself. Two street artists secretly brought it
modern across the globe in a neat and ‘What if more people transformed the
there. They have built the red fence around
formulaic way and now I have departed places they find themselves living in,
the small garden. They have hung clothes
from the norm by asking a Swede! to replicate the places they dream of‘.
to dry on ropes in the yard and strewn
So what does he choose? Something Olsson and Linder are a lighting practice
festive lighting on the exterior to celebrate
very different from the preceding that specialises in the social aspect of
Christmas. They have taken everything the
architectural giants; a tiny red house lighting design. Their mantra is to ‘work
Swedish countryside promises and stands
built on a motorway. It has no lengthy with and for the people’, to use light to
for and placed it in the middle of the urban
and colourful history, no architectural change the gritty urban spaces that are
landscape. On an unused, forgotten place,
theory to expound on and no need to get normally abandoned and unloved.
they have created a charming and peaceful
out an architecture dictionary to find “Lighting design is about creativity.
wonderland for all to see and contemplate.
the right name for a funny shaped high Lighting design is about people. Lighting
What if more people transformed the
up window. Granted, in this picture, it design is about people’s needs and
places they find themselves living in, to
replicate the places they dream of. It
is draped with lights so we could sort of requirements in their daily life!“
would not be so difficult…”
scrape by under the ‘Built with Light’ They have worked on many community
Joran Linder – Olsson & Linder
title. However, essentially it is just a based projects within the large housing
miniature cottage and not the normal estates of the Million Housing Program
kind of building we include. But as I think (a Swedish Housing Initiative for
I know why Joran chose it, I will try and immigrants in the 1960’s) and used
explain. lighting to help reclaim civic pride and
First, who built it and why? It is an to fight against social exclusion in these
installation devised by the Barsky disadvantaged areas. By using light as
Brothers which is the name that the a medium, they believe we are able to
collaboration of Akay and Klisterpeter, transform the places that in cities many
two Swedish street artists use. Akay, millions of people live to make them
also known as Karl Adam Warrol, began more comfortable, safe and pleasing
as a Swedish grafitti artist then moved environments.
into street art starting a project called So there you go – a funny little cottage
Akayism. In the Akayism project he has built with love (not light) used to
made art installations in all kinds of demonstrate an attitude of creative
formats and sizes that have been seen in recreation possible on our own urban
all corners of the world (Liverpool invited doorsteps. A perfect way to start a new
them to participate in their celebrations decade dedicated to socially responsible
as City of Culture). Klisterpeter (Swedish lighting design.
Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140
Produced with Yudu - www.yudu.com