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www.railfan.com FOUNDING PUBLISHER
HAROLD H. CARSTENS (1925-2009)
PRESIDENT AND PUBLISHER HENRY R. CARSTENS
VICE PRESIDENT JOHN A. EARLEY EDITOR
E. STEVEN BARRY
ASSOCIATE EDITORS WALTER C. LANKENAU OTTO M. VONDRAK
CONTRIBUTING EDITORS MICHAEL T. BURKHART JAMES D. PORTERFIELD
MIKE EVANS, CHICAGO & NORTHWESTERN WELDER AT THE PROVISO RIP TRACKS IN APRIL 1943. PHOTOGRAPH BY JACK DELANO AND COURTESY OF THE LIBRARY OF CONGRESS, LC-USW36-574.
Seeking out the human side of railroading
WE RAILFANS GIVE A LOT OF ATTENTION to equipment of staggering proportion. Loco- motives weighing 400 tons, trains measur- ing more than two miles long, rail systems that stretch across half a continent and more. While impressive, what we so often forget is how important people are to the railways that we admire.
The railways have, historically, been massive employers. In 1940, the Pennsylva- nia Railroad alone employed more than 150,000 people. Although improvements in efficiency have reduced the workforce, the industry remains a major employer. As of this year, more than 230,000 people present- ly work for railroads in the United States. That’s more than are employed by Chrysler, Apple, or Intel — combined. Despite the importance of people to the function of the railways, documenting them has always proved elusive. People’s names litter the covers and pages of employee timetables, decorate train orders and track warrants, and are found throughout Rail- road Retirement Board files, yet other than these brief printed names there is rarely a trace of their humanity in the historic record. They work hidden away inside loco- motive cabs, behind office doors, or other places we are not often allowed. As a result, we know so little about who they are. We are fortunate, then, when a photogra- pher captures the railway worker in his na- tive environment. Jack Delano, working for the federal government, made photographs of dozens of railway workers just prior to the Second World War. His images, shot on ear- ly color film, are a window into the industry the likes of which we rarely see. A few years ago, the Center for Railroad Photography and Art in Madison, Wisc., be- gan to sort through Delano’s portraits, in an attempt to determine who these men and women were. Volunteers conducted exten- sive genealogical research. Descendants were found and interviewed.
Consider Delano’s portrait of Mike Evans.
The name is not Irish or Welsh, but an Americanization of “Evancevich,” a Serbian
4 APRIL 2014 •
RAILFAN.COM
name. Mike, a welder for the Chicago & North Western, remained devoted to his homeland despite his name change, and of- ten spent time after work playing a tradi- tional Serbian stringed instrument and singing songs of the old country to his wife and daughter. It was through finding that little girl — now 80 and still active in Chica- go’s Serbian community — that the Center’s researchers were able to learn such details. (The results of the research into Mike’s por- trait — along with scores of others — is the “Railroaders” exhibit at the Chicago History Museum until August 10, 2015.) Why do any of these things matter? With- out such details, it is all too easy to read in- to the images whatever we wish. Consider the irony here: when the National Archives released its 1940 U.S. Census data in 2012, they used Mike’s portrait as the cover of its journal, as a stand-in for the “all-American” railroad worker. Little did they know how deeply steeped Mike was in his native Ser- bian culture! Details such as these help move portraits of railroaders like Mike Evans from two-dimensional images that are more about us, to portraits of three-di- mensional people who loved and hurt, suf- fered and triumphed, and who were an inte- gral part of the American railway story. Today, a combination of security culture and a smaller workforce make access to rail- way workers more difficult. Anyone wanting to learn more about today’s workers would not be advised to go gate-crashing railroad offices or to disturb railroaders at their jobs. Yet there are still more than a few railway workers who are also railfans — even if they don’t call themselves such — and it is not uncommon to meet them either in person at slide shows, swap meets, and the like, or on- line. Get to know them and don’t be afraid to dig a little deeper to uncover today’s human side of railroading.
Alexander B. Craghead is a writer, photog- rapher,
watercolorist, and self-described “transportation geek” from Portland, Ore.
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RAILFAN & RAILROAD (ISSN 0163-7266) is published monthly by Carstens Publications, Inc., 108 Phil Hardin Road, Newton, New Jersey 07860. Phone 973/383-3355. Henry R. Carstens, Publisher; Phyllis M. Carstens, Secretary-Treasurer. Periodical Postage paid at Newton, NJ 07860 and additional mailing offices.
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