SOLUTIONS: MONTREUX JAZZ CAFÉ, LONDON
The Montreux Jazz Shop is fitted with Meyer Sound MM-4XP loudspeakers and an MM-10XP subwoofer
[INSTALLED]
AUDIO Meyer Sound MM-4XP speakers Meyer Sound MM-10XP subs
Meyer Sound M1D sub Meyer Sound MPS-488HP external power supply Yamaha DME24N with MY8-ADDA96 card Yamaha ICP-1 intelligent control panel Denon DNC640 CD player Cloud CX231 mixer Cloud RSL6 remote plate ART headphone amplifier
driven by a single Yamaha DME24N digital mixing engine, which manages zone control, delays and EQ. A Yamaha ICP-1 connected to the DME24N allows staff to control volume levels independently for each zone. A listening booth, independent of all other audio systems, allows café patrons to audition selected festival CDs and DVDs prior to purchase, viewing the programme on a Samsung 26in HD screen and listening through stereo headphones. The listening booth gear list also comprises Denon DVD and CD players, a mixer and source selector by Cloud, and an ART headphone amplifier.
FESTIVAL FOOTAGE
A total of eight high-definition Samsung screens are mounted around the place, some of which work with the zoned audio systems to create individual experiential areas, and some of which operate independently. Two 32in displays handle the ‘music artifacts’ sections just outside the lounge, and a single 46in screen is central to the cafe section. The three entrance displays and the screens in the kitchen area are all 26in models. A 55in screen dominates
Funky Claude’s lounge, a flexible space which can also be configured as a live performance area if required. The Meyer Sound audio systems are designed to handle this extra duty as well as pre-recorded programme material, and appropriate connections for a supplementary mixing console are provided. A separate preset in the Yamaha DME24N
62 February 2013
accommodates the live performance mode. At the heart of the control and distribution network is the ~sedna Presenter software from ~sedna of Berlin. “The ~sedna software gives us flexible distribution of audible and visible media content at will among all the individual AV systems,” notes Pro Audio Systems’ Brian Lumb. “It allows us to control playlists and schedule everything according to the client’s needs. It uses Mac hardware exclusively, and we find that accrues substantial benefits in reliability and ease of set-up.” The main player for the visual system is an Apple Mac Pro running ~sedna Presenter Player Pro. It is linked to the screens via Extron units, which handle signal format conversion and the long Cat6 cable runs. A Sonnet Fusion R800 RAID Array supplies primary on-site data storage, while a specially configured Mac Mini – also running ~sedna Presenter Player Pro – runs a smaller version of the same setup for the peripheral playback systems. In addition, four 64GB WiFi- enabled iPads are installed in a tabletop configuration within the ‘kitchen‘ area’, with their content managed by the ~sedna Player iPad app, developed for hospitality installations such as this. In this case, the fixed iPads are locked in to a function that restricts access to only the Montreux Jazz Festival website, allowing users to browse through concert footage and artist interviews. All the media content is
acquired directly from the Montreux Jazz Festival HQ in Switzerland via a Cloud-based FTP server. It is then published
to the various delivery systems in the café through an Apple Mac Mini Server 2 with dual 500GB drives. The ~sedna Creator Pro suite, hosted on this server, is the primary scheduling and content management system for the whole site. The programme sequence
for Montreux Jazz Café in London is pre-programmed to the minute before the Cloud transfer to the local system. The London staff control is largely limited to ‘start’, ‘stop’ and level control by zone. The on-site servers store eight playlists, each 10.5 hours long, matching the operating hours of the café. An eight-playlist rotation means that guests who visit regularly will experience fresh concert fare weekly.
As a side note, all current concert material is drawn from the more recent festival recordings – from about the last two decades – made since the advent of HD video technology. Beginning with the earliest years, both video and audio recordings have used the best available technology; the older analogue audio tracks are of excellent quality, and most transfer successfully direct to video. The older video formats, however, benefit greatly from specifically applied advanced digital processing techniques in the transfer to HD files. This digital upgrade of older archives is underway at the École Polytechnique Fédérale De Lausanne (EPFL).
The critical importance of sound quality to the Montreux Jazz concept is evident in the thematic décor of the café. The principals at Portland Design decided to integrate recording equipment into the
interior design. Vintage microphones hang from the ceiling, Swiss-made recorders – a Studer A62 and a Revox B77 – stand prominently on shelves, and reels of analogue recording tape provide visual punctuation. Most of the recording gear is from the festival’s own collection or that of suppliers, but the tape is all new RMG 900. By all accounts, the AV
systems at the Montreux Jazz Café have been a great success. The clarity and linearity of the speakers bring the Montreux experience to full life within the café, while directional control allows those in the adjacent lands of toys and antiques to carry on blissfully unaware. “The quality of Meyer Sound
allows us to strike that right balance,” Buri says, “where you can hear and enjoy the music while you carry on an intimate conversation. Everybody seems quite pleased by the sound, and the way it works within the store.”
MEETING CHALLENGES For Lumb, the challenge of the new Montreux Jazz Café location was well met, and should prove yet another feather in the company cap. “Essentially our role here was to interpret the experiential demands of the Montreux organisation,” he reflects, “by which I mean that we had to understand what they want their visitors to feel while here, and then create a physical and technical infrastructure capable of doing just that. The combination of world-class products from Meyer Sound, ~sedna, Yamaha and others, plus our own experience, has delivered a unique set-up that temporarily transports visitors
VIDEO Apple Mac Pro 12 Core 2.4GHz/12GB/1TB/2TB ~sedna Presenter Player Pro software Sonnet Fusion R800 RAID Array Extron DA8+ DVI switcher Extron DA4+ DVI distribution amps Extron DTP301 TX/RX extenders Extron PS123 PSU Samsung UE55A LCD displays Samsung UE26 LED TVs Samsung UE46A LFD monitor Samsung ME32 touchscreen overlay Apple Mac Mini 2.5GHz/8GB/750GB ~sedna Presenter Player Pro Denon DNV310 DVD Player
into the world of the Montreux Jazz Festival.” Visitors were first able to
experience Montreux in London a few days prior to the opening of the 2012 Olympic Games, though the formal Grand Opening Party was not held until late October. Both Claude Nobs and Thierry Amsallem were on hand for the occasion, along with more than 270 special guests. The audio system for the lounge was switched to live mode for an evening of music. According to Laurent Buri, the highlight of the occasion was a blues harp solo by the 76-year-old Nobs, a man who has done a lot for the soul of jazz and blues.
www.cloud.co.uk www.denon.com www.extron.com www.meyersound.com www.portland-design.co.uk www.proaudiosystems.co.uk www.samsung.com www.sedna.de www.sonnettech.com www.yamahacommercialaudio.com
www.installation-international.com
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