This page contains a Flash digital edition of a book.
SOLUTIONS: CASA ENZO FERRARI MUSEUM, MODENA


back 16 separate audio tracks to give the impression of a racing car roaring past.” This dramatic effect is


reproduced by an Alcorn McBride Digital Binloop SD+4 and fed out through 16 Tannoy Di5W enclosures, powered by four 4-channel InOut DA480R amplifiers. As well as voice evacuation and background systems (suspended SoundTube HP590iW open-ceiling speakers with a Biamp Vocia power and control set-up, as in the gallery), the house also has a series of digitally steerable Tannoy Q-Flex 24 arrays.


The whole system is under


remote or touchscreen control with dual operating mode: automatic, which enables a single command or schedule to activate a continuous loop of video and audio playback in each zone


and the activation of a default lighting preset; and manual, with which individual features can be controlled. In Ferrari’s birthplace, the


content played out by 17 HD video players is viewed on seven 27in LCD screens and 10 large-format rear projection modules (eight 300


x 170cm and two 150 x 85cm), each with a Mitsubishi WD8200 projector. The Crestron PRO2 control system includes a 5.7in touchpanel and an RS232- DMX512 interface. Bellocchio explains: “One of the main difficulties to overcome when designing the rear projection set-up system was to realise a series of large-format projections on both sides of a Barrisol wall, with very limited space for installing the hardware. This was achieved with careful design and simulation of the available space. The application features a projection system with mirrors off which the images are ‘bounced’ on to the projection surfaces.”


OTHER AREAS In addition to the exhibition area, under the sleek curves of the roof, the 5,000sqm museum – with its stylish all- white architecture and decor – hosts a training room with a digital documentation centre (named after Ferrari’s coachbuilder Sergio Scaglietti), a conference room, film projection room, shop and cafeteria. The conference room’s set- up enables AV recording of events (thanks to a pair of Sony EVI-D70P cameras),


 Based in Ancona, on the Italian Adriatic coast, Videoworks has branches in Milan and Viareggio


 The company specialises in the design, realisation, installation and after-sales assistance of multimedia entertainment systems, integrated AV systems,


58 February 2013


video projections via another WD8200 and videoconferencing with remote locations via a LifeSize Team MP system. The video control rack includes Extron matrixes, scalers, extenders, transmitters and receivers. The room’s Tannoy audio


system consists of a pair of i9 column speakers, combined with a Biamp Audia Flex CM and RED1 control panel. Overall system management is handled by a Crestron CP2E, while a Crestron TPS- 6X touchpanel enables user- friendly equipment operation without the need for a technician. The training room’s set-up


features a pair of Tannoy i7 Contour enclosures, powered and controlled via Biamp Vocia and RED1, a Mitsubishi FD-630 Full HD projector with a Comm-Tec motorised screen, 12 27in Elo LCD touch monitors and 12 Dell Vostro slim tower PCs controlled via Crestron MC2E. The home cinema


projection room also has an FD-630 projector, but audio is courtesy of seven Tannoy Arena Highline enclosures (three 500 and four 300 models) and a Tannoy TS1201 subwoofer. It is powered by a seven-channel 120W Denon surround


[ABOUT THE INSTALLER]


networking and CCTV systems


 As well as developing dedicated software for its projects, Videoworks also creates unified multi- conference systems for high- profile clients in three sectors: conferencing, yachts and smart homes


www.installation-international.com


Video projections in the conference centre are via a Mitsubishi WD8200


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68