SUNDAY, JUNE 20, 2010 Film A few lighthearted films help balance the heavy by Jen Chaney
In a wonk haven like Washing- ton, we like our documentaries. Often we like them serious and filled with plenty of tightly framed shots of talking heads sharing important observations about even more important pub- lic policy issues, all of which will inevitably leave us feeling com- pelled to make a difference. But let’s be honest: Sometimes we want entertainment, not a lec- ture or a history lesson. Even the most hard-core documentary devotees have to admit that there are days when they would skip “Food, Inc.” and “The Fog of War” in favor of some popcorn time with, say, “Anvil! The Story of An- vil” or “Spellbound.” (Spelling bees: They’re just so much cuter than Taliban strongholds.) The programmers of Silverdocs
—the international documentary film festival that kicks off a week of nonstop nonfiction at Silver Spring’s AFI Silver Theatre on Monday — know this. That’s why in 2010, as they have done throughout its eight-year exis- tence, the festival’s programmers selected several lighthearted en- tries to screen alongside the docs about the No Child Left Behind Act and the Israeli-Palestinian conflict. Here’s a look at some of the more solid efforts in the “happy documentary” category. “The People vs. George Lu-
cas” (screening Friday at 10 p.m. and June 27 at 5:45 p.m.) “I love-hate George Lucas. I
love-hate him hard.” That com- ment from “Star Wars” fan Matt Cohen, uttered in the first five minutes of “The People vs. George Lucas,” pretty much sums up the narrative arc in this pas- sionate and often funny look at the rocky relationship between the director who gave birth to Luke Skywalker and the middle- aged Force faithful who still can’t let go of their light sabers. Alexandre O. Philippe’s docu-
mentary, which debuted earlier this year at Austin’s South by Southwest festival, trots out all the dirty geek laundry that’s al-
one swimmer after a particularly dreadful performance in the pool. Then, naturally, he proceeds to do exactly that. (“Lars was okay, but also quite bad.”) Of course, he seems decidedly sober next to the guy who brings a bottle of bour- bon straight into the locker room showers...
“Ride, Rise, Roar” (screening
Wednesday at 10:30 p.m. and June 27 at 8:30 p.m.) This David Byrne concert film
isn’t exactly “Stop Making Sense,” but fans of the Talking Heads frontman, as well as aspiring
SILVERDOCS
FAN WARS: In “The People vs. George Lucas,” Alexandre O. Philippe presents the cases for and against the “Star Wars” director.
ready quite familiar to the card- carrying Jedi: the Lucas worship that began with those mind-alter- ing first screenings in 1977, which then turned into frustration over the digital alterations made to the original trilogy via the ’90s- era special editions and then evolved into rage over the debacle that was Jar Jar Binks, the Gun- gan nightmare blamed, in part, for ruining the much-anticipated prequels.
Other important intellectual questions (did Greedo shoot first?) are also covered. Like each of the much-derided prequel in- stallments, “The People vs. George Lucas” could have used a tighter edit. But during a summer movie season largely devoid of luster, it’s satisfying to revel in the fanboy glee found in a documen- tary about the movie franchise that set the summer-blockbuster standard. “The Invention of Dr. Naka-
Mats” (screening Wednesday at 12:30 p.m. and Saturday at 1:15 p.m.) Yoshiro Nakamatsu, otherwise known as Dr. NakaMats, invented the floppy disk. He also created a springy pair of sneakers called Jumping Jax, a perfume called Love Jet that allegedly boosts sex drive, and a tablet that allows people to write underwater — convenient, because that hap- pens to be the place where he comes up with his best inven- tions. As he’s not shy to explain to the
camera in this absorbingly odd documentary, the 82-year-old Japanese inventor has amassed 3,357 patents during his long ca- reer. (Thomas Edison? A piker. He had only 1,093 to his credit.) “Invention” could have benefit- ed from more interviews with people speaking to Dr. Naka- Mats’s legacy. As it stands, the film is a portrait of a man as told by that man. But when said indi- vidual boasts that he’ll live past 100, speaks out in favor of eating one meal a day and musters enough hubris to insist that a ho- tel rename a banquet room after him in honor of his birthday, that portrait makes a pretty surreal, entertaining little work of art. “Men Who Swim” (screening
Friday at 3:45 p.m. and June 27 at 4:15 p.m.) There’s a whiff of “Anvil” and
even “The Full Monty” about this movie from British filmmaker Dylan Williams. But the activity that bonds this group of middle- aged men isn’t heavy metal or male stripping; it’s synchronized swimming. Williams turns the camera on himself and his team- mates as they attempt to go from guys in Speedos who can barely float to genuine competitors at the Male World Championship in Milan. The results may not surprise,
but they often charm, especially when frustrated teammates get a little liquor in them. “I don’t in- tend to stand here, after a couple of beers, and name names,” says
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HEARTS OF ROMAINE
choreographers, may be in- trigued to learn how Byrne in- fused interpretive dance into his stage show during a recent tour. Filled with plenty of behind-the- scenes footage, and intense per- formances of the artist’s solo ef- forts as well as Heads classics such as “Once in a Lifetime” and “Road to Nowhere,” it’s another example of Silverdocs’ commit- ment to making sure music gets heard through all the documen- tary message-making.
jen.chaney@
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