PEER POLL PRODUCTION 100


SURVEY


WHICH ARE THE MOST ADMIRED INDIES? THE PEER POLL REVEALS THE 10 PRODUCTION COMPANIES THAT ARE MOST RESPECTED BY THEIR RIVALS


01 RAW TV


Raw TV jumps from fourth to first place in the Peer Poll this year. The Gold Rush and Don’t F**k With Cats producer is picked out for its “incredible range of shows,” which are “always zeitgeisty, always high quality.” Others say Raw has “a really strong slate of programming across multiple factual areas that packs a punch and cuts through.”


Drean Horse Raw’s feature docs and its series for US streaming


services and UK broadcasters are admired. “Their scale and range is impressive” and they are “a lovely bunch of practical programme makers.”


03 SISTER


Sister is “best in class”, says one indie. “The drama company continues to deliver and is run by a formidable, highly talented team of super women,” says another. “They work with such great storytellers, both established and emerging.”


04 LIGHTBOX


The Tina and Curse of the Chippendales indie is known for “premium doc beautifully made.” Others say its “commissions stand out in a crowded market,” and it “never sacrifices the premium quality of its offering.” “Extraordinary docs,” says another.


05 STUDIO LAMBERT


The Gogglebox indie consistently makes the Peer Poll top 10. Rivals say it “consistently wins channel defining business”, and praise its “innovation in un- scripted.” Others note it has “lot of different commissions across different channels.”


02 72 FILMS


The Rise of the Murdoch Dynasty and The Trump Show producer climbs from third to second place this year. 72 is lauded for being a “trend setter with a knack for great access and classy filmmaking” which makes “ambitious impactful and stylish documentaries.” 72 is “bringing archive programmes bang up to date,” says another.


06 BLAST!


The Brain Surgeons: Between Life and Death producer’s show are “always of a very high standard” and it has a “fantastic ability to create broad and compelling documentary formats.” Other say Blast “still manages to run a successful UK business with great docs.”


07 TRUE NORTH


True North “displays a genuine commitment to developing talent in the regions and is a major employer in Leeds,” says one indie. Its “range of output from low budget features to thought provoking docs is inspiring.” Another “admires its approach to factual programming.”


08 MINNOW


The Detectives: Fighting Organised Crime and SAS: Who Dares Wins producer regularly appears in the Peer Poll top 10 list. Rivals admire its “great content” and “consistent quality,” as well as its ability to “make very engaging programmes.”


Autumn 2021 P14


09 RUMPUS


The Misadventures of Romesh Ranganathan producer makes its Peer Poll debut. Rivals say it is “a true indie who has built a brand in a few short years” and that it has “a huge amount of quality hours, a successful development strategy - they just keep winning business.”


televisual.com


10 BAD WOLF


The His Dark Materials indie also makes its Peer Poll debut. Indies rate it for “consistently winning commissions and delivering classy, original shows.” Another says its “successful mini studio set up for their own production is impressive.”


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140