SUMMER 2022 CONTENTS


O6 IN POST & STORYBOARD Recent work from Framestore, Vine FX, One Of Us, BlueBolt, Splice, Fifty Fifty and more


46 THE GENRE REPORT Entertainment TV has seen a wave of fresh formats, and the streamers are taking notice of the genre too. Tim Dams reports


66 THE ART OF THE DIRECTOR Five of the best directors in the industry right now tell Jon Creamer about the art and craft of high end TV and film directing


30 STREAMERS: AVOD With the streamers’ subscriber numbers under pressure, are ads the future?


42 MONSTER MASH A look at the evolution of Apple TV+’s epic Prehistoric Planet


78 OUT OF THE WOODS How House Productions returned to 80s era Nottingham for Sherwood


58 LIVE EVENT TV Live events are becoming ever more complex to produce for TV. Jon Creamer reports on plans for some of the biggest UK events of the summer schedule


22 GIRL’S BEST FRIEND Dolly Alderton’s comedy drama on the trials and tribulations of navigating your twenties


88 LISTEN UP The fundamental rules to follow when designing an audio suite that can handle Dolby Atmos. Kevin Hilton reports


106 ROUNDTABLE: POST A roundtable discussion with post houses across the board on how post is adopting changed workflows by design rather than necessity


52 TV STUDIOS Tim Dams takes a look at the UK’s shiny floor TV studios market, currently buzzing from the Covid bounce back and increasingly spreading out across the whole UK


36 NATURAL HISTORY The climate for natural history programmes is currently very healthy with more and more buyers in the market. Pippa Considine reports


96 ABOVE AND BEYOND For the vfx industry, working almost entirely in the cloud with talent spread out across the globe has become more and more common in recent years. Andy Stout reports


24 ALL TOGETHER NOW Diversity and inclusivity have fought their way up the agenda in TV over recent years, and while solid work has been done, there’s a way to go yet. Pippa Considine reports


82 CUT IT FINE The editors of three of the winning productions from the BFE’s Cut Above Awards explain what it took to create an award-winning edit. Jon Creamer reports


112 VOLUME CONTROL Michael Burns asks the experts working at the thick end of virtual production right now for their advice on how to use it to its best effect


Summer 2022 televisual.com 03


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