EXCLUSIVE INTERVIEW


In a world overflowing with electronic artists, few manage to rise above the noise and carve their unique niche. BIIA is one of those rarities, a truly authentic voice whose sonic tales are shaped as much by the stirring echoes of the past as they are by the pulsating beats of the present. Her journey, an intriguing blend of heritage,


grit, and creativity,


makes her stand out. Through the roar of 90’s beats, eclectic soundscapes, and evocative vocals, BIIA communicates and connects. Today,


we delve deep into her story, a tale of passion, perseverance, and purpose.


Despite having studied business management and marketing, the idea of being a dj craved in me since I was a teenager. I have an older cousin who owns a store that sells DJ equipment and also has music production studios. I used to go there in the summer and that’s when something started to take my mind. I used to work as a barmaid in clubs in Portugal while I was studying and that also had a big influence on my desire to be a DJ. At the end of the night I asked my dj friends to teach me. I would go home and spend hours digging for music and listening to DJs like Jeff Mills, Robert Hood, Joye Beltram, Laurent Garnier, Chris Li- berator. I could dance for hours, totally disconnected, only with that. When I finished my studies the idea of having the same routine, 5 days a week, 40 hours a day, tormented me. I think is a waist of life when every day seems the same. I wanted more. I wanted to be free and creative and music brought me that.


Genesis of Passion: Artistic Infusion:


“Your music seems to be a blend of raw, hard 90’s beats,


peculiar sounds, different genres. How


infuse these elements seamlessly?” Creative Process Insight:


“Can you share some insights into your creative process when approaching a DJ set or producing music? How do you channel your emotional curiosity into your creations?”


I like to build a DJ set with diversity. Add different textures, elements, styles and colors to it. That’s what makes it interesting and rich. An excursion of styles and eras that can be very harmonious if well mixed. Like in interior design You can have a Panton Vitra chair from the 60s in a 19th centuries house and make it all work. It’s a question of sensitivity and balance. Something that is felt and is hard to explain. I like to create that balance that aligns the party, timetable, what I feel the public wants and what I want to bring. That’s the risky part. But “no risky, no glory”, like Madonna said.


Influence of Vocal Elements:


“Your productions occasionally feature provocative and conceptual vocals. How


important are


these vocal elements in conveying the emotions and stories in your music?”


The sound of a voice is something very personal and analog. I like to incorporate mine into my music. Almost like a signature. And I love to convey messages in a not-so-obvious way. It’s just me


68 mixmagnl.com and occasional do you manage to


communicating, depending on what I’m going throu- gh at the time. It can be about society or my fee- lings. I like when the vocals are more provocative and conceptual.


“Your music is a journey of self-expression that tells energetic and hard-hitting stories. How do you conceptualize these stories, and what inspires them?”


I’m very detail oriented and it’s those more muffled sounds that are further back or


that appear less


frequently that capture my attention and that’s what I like to incorporate into my music. I love to spend time searching or designing those pieces. I can hear a peculiar sound or element in a song of any genre and take it as inspiration to create a track. I like trippy elements.


Upcoming Projects Sneak Peek:


“Could you give us a glimpse of your next releases, any exciting collaborations, EPs, or singles that your fans should look forward to?”


My next release will be my first EP “Letters From Hell” on Taapion. Made with lots of love. And a single “basic5000” on KAOS. Which is a label that I really respect.


Vision for the Future:


“You have a distinct and disruptive approach to music. Where do you see this taking you in the future, and what are your aspirations as an artist?”


An artist can communicate in many different


ways under a global vision. I have an idea about how I want to deliver my


voice, but I’m still


working on that. I want to evolve, add something new and try different things. I don’t want to get boring.


Reflection on Evolution:


“Looking back at your musical journey, how have you evolved as an artist from when you started to the present, and what have been the pivotal moments?”


I used to play only in Portugal. I love the crowd there but it is a very small market, so I’m very lucky to be able to play worldwide now. The clubs or the parties didn’t always have the best sound system, or equipment, so that path was very important and brought me the knowledge and ability to adapt myself to different circumstances.


Fan Connection:


“How do you wish for your fans to connect with your music, and what do you want them to take away from each of your productions or performances?”


BIIA’s narrative is more than just a musical journey. It is an expedition that intersects the realms of past experiences, raw emotions, and unparalleled creativity. Her dedication to innovating while respecting her roots shines brightly, not just in her tracks, but in her ethos as an artist. As we wrap up this intimate exploration into BIIA’s universe, one thing remains clear: this is an artist whose rhythm transcends boundaries, whose vision knows no limits, and whose future in the electronic music domain is bound to resonate for years to come.


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