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have also been deployed. Each one offers seven extremely effi cient high-power LEDs, eight interchangeable dichroic colours with split colour effects and continuous rotation, an enhanced colour spectrum and six rotating and indexable gobos.
Eight Clay Paky Sharpy moving beam lights bring 14 different colours and 17 gobos, allowing beam shaping and spectacular mid-air effects. With its lightweight and modest footprint, Sharpy is extremely fl exible in its application. The line-up of fi xtures is completed with eight ETC Source Four LED Lustre+ luminaires. This version offers the same size, look, optics and beam angles as a traditional Source Four, with the effi ciency and energy savings of an LED. Effects units include a Robe Fazer 1500 haze machine and a Salvin Design confetti canon. A Chamsys MagicQ MQ60 console controls the lighting effects. The unit can support 12 universes over Ethernet using Art-Net I, II or III, Pathport, or Streaming ACN. In addition there are four fully patchable direct DMX outputs on the rear panel.
The video element has been created using 20 panels of Absen AI06 LED display, which is controlled using Resolume Avenue and MadMapper software. Video throughout the building is supported by Crestron DigitalMedia switching and control systems. “We constantly travel worldwide visiting manufacturers, show design- ers and event specialists to see the latest and most innovative devel- opments top harness and incorporate these ideas and technologies into our designs and installations,” revealed Frank. “Our motivation is to provide the backbone onto which the venue can grow their produc- tions and shows, programming and enhancing their events with the best technology and production values available today. “We believe that every night, every patron, every visitor, and every employee should be awe struck startled and surprised by the sensory overload we provide to Hakkasan. We want the journey to start at the front door and build in anticipation throughout the voyage to the main club through the stone clad candle-lit corridors and austere and mystic spaces.”
Hakkasan Las Vegas is a triumph of creativity, technology and col-
laboration. While Audiotek led the creative, project management and commissioning, (working closely with AMG/Hakkasan Ltd), there are people and companies that have to be recognised for their contri- butions. Sun City Electrical - led by Jason Bosnos and Garry Fife. R2W’s Jeremy McConnico, Thomas Durfee and Dustin Proverse, who carried out low voltage work, rack wiring, as well as the Crestron de- sign and programming. The lighting installation by 4Wall. Madrix pro- gramming for the LED lighting was by Greg See and Mikey Callaghan of AVLI. Chris Kmeic was the Turbosound factory engineer and Jay Easley from Music Group was the local Turbosound support. Hakkasan Las Vegas has laid bare its intentions by securing a host of high profi le residents. Calvin Harris, Tiesto, deadmau5 and Steve Akoi form part of a considerable line-up of producer and DJ talent who regularly play out to thousands of guests. Such investment in performer talent would have been misplaced without a design philoso- phy and technical infrastructure to support its ambition. Hakkasan Las Vegas has both in abundance. Refl ecting on Hakkasan Las Vegas’ creation, CEO of Angel Manage- ment Group, Neil Moffi tt, said: “Combining our nightlife and entertain- ment expertise with such a reputable name in the culinary world has produced a venue that will provide an unforgettable experience for all who visit Hakkasan Las Vegas. After more than two years of hard work and intricate planning, we are thrilled to open the venue and see our guests’ reactions.”
Hakkasan Ltd CEO Didier Souillat added: “We view a partnership with Angel Management Group as an invaluable asset to the Hakkasan brand’s fi rst venture into nightlife. It’s been a thrilling process to fuse our award-winning dining program with immersive nightlife elements to create an all-encompassing venue for our foray into Las Vegas.” For Audiotek, it’s been business as usual, explained Frank: “The goal has been and always will be, to create benchmark venues, combining world beating technology and effects with the best sound and visual reinforcement. We want to leave our patrons and clients with a lasting set of images and experiences, which they will carry with them long after their visit is over.”
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