120 DIRECTORY
EAW | QX300
www.eaw.com
EAW’s QX300 range of full range loudspeaker systems surround a high-output, low-resonance, four-inch coil / 1.4-inch exit high frequency compression driver with four 10-inch low frequency cone transducers in vertical and horizontal pairs. EAW engineers have drawn upon their extensive horn design experience to offer six distinct coverage patterns within the range. And unlike the QX500 range, the QX300 range uses different spacing for the vertical and horizontal pairs of LF devices to better match the beam width of the system through the crossover transition. Like the QX500 range, all models share an identical enclosure. EAW designed the QX300 range for permanent installation only, and the products can be ordered in standard black or white or with EAW’s famous WP weather-protected coating.
ELDOLED | TOOLBOX PRO
www.eldoled.com
The new TOOLbox pro from eldoLED, whose ultimate programming capabilities are now packaged in a new design, is a valuable tool accessible to anyone who wants to fine-tune their eldoLED LED driver(s) for their lighting application. Benefits include precision setting of LED output currents and dimming behav- ior, programming of DMX parameters and testing of lighting settings under DALI. As before, the TOOLbox pro can be used with the FluxTool and ShowMaster DMX software.
GLP | IMPRESSION X4S
www.glp.de
The Impression X4S from GLP the latest product in the series aiming to bring a new level of functionality to compact LED washlights, complete with RGBW homogenous colour mixing, a seven to 50º zoom range and a high output level. The Impression X4S utilises seven high-powered 15W RGBW LEDs at its source. These LEDs give a single homogenised colour output from its unique looking front lens across a wide spectrum and with high output for a very compact fixture. Adding flexibility, the Impression X4S turns things up considerably for such a small fixture with an expansive 7:1 zoom ratio that ranges from seven to 50º. At its narrowest, the Impression X4S features both a hard and soft edged beam, allowing for aerial effects along with powerful colour washes. By using quad colour LEDs, the Impression X4S features a range from the deep saturates through to soft pastel shades by incorporating more of the white LED element, which has a native colour temperature of 5,600K, and is complemented by a variable colour temperature correction control channel. For extra cool effects, the Impression X4S allows users to address each of its seven pixels in any combination to create patterns across its face.
LAB.GRUPPEN | LAKE CONTROLLER VERSION 6.1
www.labgruppen.com
The Lake Controller Version 6.1 is the most significant update to
Lab.gruppen’s Lake digital audio processing platform in the brand’s history. The new release features substantially improved implementation of Dante, new integration support for real-time audio analysis software SysTune, and a number of other key developments aimed at both live sound and large-scale fixed install applications. Across both
Lab.gruppen’s PLM Series and Lake LM Series, v6.1 will see Dante functionality greatly improved for all devices, with a seamless synchronisation between the Lake Controller and Audinate’s Dante controller, where all information is now available for the PLM and LM Series products. The new update makes Dante easier to configure in large networked systems and more stable and reliable than ever before, with increased compatibility with Dante controller for parallel monitoring, naming and routing from either controller. Ad- ditionally, a brand new feature has been added to both PLM and LM Series platforms, which allows the user to set their Lake devices as the preferred Dante network Clock Master. The v6.1 update also introduces further RTA software integration possibilities with SysTune 1.3 now featured, adding to the recent integration with Smaart v7 and LiveCapture.
MA LIGHTING | MA VPU
www.malighting.com
The MA VPU, which has been on the market for some time, has undergone a complete technology change, adding new features and an upgrade to software 2.8. The MA VPU allows videos to be displayed in full HD or HD and the internal synchronisation of the MA-Net2 ensures the highest frame and DMX synchro- nicity. Horizontal and vertical soft edge blending as well as keystone correction help to scale videos to any size desired. Images can be scaled, positioned, tiled, coloured and manipulated directly from any grandMA2 console. It is as simple as controlling any other fixture - the MA VPU just has to be added to the network session.
MEYER SOUND | VERSION 3.0 COMPASS SOFTWARE
www.meyersound.com
Meyer Sound has released version 3.0 of its Compass software program, providing a centralised platform for controlling the new Compass RMS remote monitoring system, in addition to the Galileo and Galileo Callisto loudspeaker management systems and CAL column array loudspeakers. The streamlined user interface in Compass 3.0 makes achieving flawless system performance much easier, even when working with complex loudspeaker configurations and prohibitive time constraints. With the remote monitoring control interface moved to Compass 3.0, Compass RMS allows users to perform mute, solo, and wink ID functions and monitor more than a dozen loudspeaker performance parameters much more efficiently. Compass RMS supports both Windows and Mac operating systems and is backwards compatible with all Meyer Sound loudspeakers equipped with an RMS module. Use of Compass RMS with the Compass 3.0 software requires RMServer, the new purpose-built network hardware that hosts the loudspeaker status reporting functions.
www.mondodr.com
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124