search.noResults

search.searching

note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
ANTENNA MOBILE GAIN


Tuned to Railroad Band as reviewed in Railfan & Railroad


• Increased range • 5/8 wave, 3db gain • Tuned for optimum Sensitivity, 160-161 Mhz. • Heavy-duty magnetic


$76 84


mount - other options 20


PLUS $19 SHIPPING Specify scanner type


Box 38881, Germantown, TN 38183 www.railcom.net


E-mail: railcom@aol.com 901-755-1514


Fax: 901-756-8242


MOTOROLA, MOTO, MOTOROLA SOLUTIONS and the Stylized M Logo are trademarks or registered trademarks of Motorola Trademark Holdings, LLC and are used under license. © 2012 Motorola Solutions, Inc. All rights reserved.


possible from a consumer-level scanner. A word of warning: Batch scanning still requires some babysitting. Slide mounts warp over the years, and bad mounts can lead to jams. Older Kodachrome mounts with the square corners can cause problems, but I’ve found the most trouble from mounts used by Fuji in the early 2000s — they are extremely thin and subject to warping. In general, when I load 60 slides into my Nikon scanner, it usually makes it through all 60 with no problems about half the time. You’ll find your success rate will increase with experience.


Making File Adjustments There are two schools of thought when it


comes to getting the best possible digital file out of a scan. One school subscribes to the theory that you should adjust the image using your scanning software so that you get the best possible raw scan. The other school says just get an adequate scan and then make all your adjustments in Photoshop or Lightroom, as they have more powerful tools and more precise control. If I was doing one slide at a time, I’d probably go with the second school of thought. But if you are batch scanning (like I am), then you really have no choice. Set up your software so it generates a decent raw scan for all your slides, then do most of the work in Photoshop or Lightroom.


Fight Dust and Dirt with Digital ICE


Even carefully stored slides will naturally accumulate dust and dirt for some reason (I think if you want to design the best vacuum


cleaner in world, it should incorporate slides in the filter), and there are two popular methods to best handle this. Some people (with far more patience than I have) clean each and every slide with brushes and canned air before loading in into the scanner. Of course, some dust spots will still be there no matter how carefully you clean the slides, so after the scan you go into Photoshop or Lightroom and manually remove each of the remaining dust spots. Then there’s Digital ICE and its equivalents. Digital ICE (Image Correction and Enhancement) is a technology developed by Kodak and licensed to some scanner manufacturers that removes dust spots by scanning the surface of the slide with an infrared channel; when it finds a bump of dust, the software removes the dust speck and fills in the area in much the same way as Photoshop’s clone tool. It is pretty effective. Neither VueScan nor Silverfast have licensed Digital ICE, so they have their own methods of removing dust using the scanner’s infrared light.


Some people swear that using in-scanner


dust removal causes the image to soften. My experience has been that I have never noticed any degradation in the image (perhaps it’s the visual equivalent of noise only dogs can hear). Still, if I turned off automatic dust removal I would never finish getting my slides scanned and processed, so I’ll trade the possibility of slight degradation in the scan (if it actually exists) for the hours and hours of time saved in processing.


What File Size? Most consumer scanners will let you scan


your files at 4,000 d.p.i. (with the Minolta Dimage 5400 being the prime exception), which means the typical scan will come out with an image that can be printed at about 20 inches across. A typical 35mm slide is an inch-and-a-half across in its two-inch mount; publication and printing work requires a minimum of 300 d.p.i. Thus, the math comes down to 4,000 d.p.i. divided by 300 d.p.i. times 1.5 inches, which yields 20 inches. You can also output TIFs with 16-bit


color, so your final scan can eat up almost 200 megabytes. My theory is most of what I’m scanning will never need to be blown up larger than ten inches and doesn’t require 16- bit color, so I have the scanner set to produce an image 3,000 pixels across (which yields a ten-inch image at 300 d.p.i.) with 8-bit color The resulting TIF scan comes out to about 20 megabytes. If I need an image larger than that, I’ll go back and rescan it. The 20


POWER CLASH


PRR vs B&O Motive Power and Passenger Traffic Competition 1827-1962


David Messer and Frank Wrabel have collaborated together to examine the dynamic competition between the Pennsylvania Railroad and the Baltimore and Ohio for locomotive design supremacy and passenger traffic dominance be- tween the East Coast and the Midwest.


Available direct from the Barriger Library $80 + $2.50 s/h Barriger Library at UMSL One University Blvd. St. Louis, MO 63121 314-516-7240 Visa/MC/Amex Accepted Printable Order form at: http://umsl.edu/mercantile/ Click on “Gift Shop”


56 SEPTEMBER 2016 • RAILFAN.COM


The output screen in VueScan software (left) includes the destination folder (in this case on an external hard drive) and an output resolution of 300 d.p.i., the standard for publishing and printing. The scanner is working on slides from October 2000, thus the naming convention of 2000-10-0001+. The + tells the software to name each scan to the next available number in the series. The filter screen (right) shows the VueScan equivalent of Digital ICE is set to a medium setting to remove dust spots.


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68