ROSE TO THE TOP


pink Felicia and Penelope roses and edged with a fringe of purple catmint, nepeta ‘Six Hills Giant’. Like the catmint in the walled garden, this bed is alive with bees and butterflies all summer long. Entered through a metal gate, the walled garden is laid out in traditional cruciform style with a central path running through a wide double border, backed with rustic poles linked with roses. The impact is immediate: your eye is instantly transported up, over an alternating ribbon of catmint and yellow Alchemilla mollis, over the drifts of herbaceous plants and roses to the central rose-covered pergola. Rose explains that after years of experimen-


ting she has found a successful formula. ‘I like to plant in drifts of colour but instead of using the same plant I mix plants of a similar colour and different texture. It’s like painting.’ One example of this technique might be a naturalistic blend of blue delphiniums, Campanula persicifolia ‘Cornish Mist’, phlox ‘Blue Boy’ and purple thalictrum. Creamy filipendula and maroon Cirsium rivulare link the scheme and add continuity. A horizontal path further divides the space,


creating a series of rooms, once devoted to vegetables but increasingly used to accommo- date Rose’s collection of old, scented Gallica


Above: Among the roses climbing up the tall stone walls are rambling pink Princess Louise, deep pink Madame Caroline Testout and pink Souvenir de la


Malmaison. Far left: Pathways lead past scented blooms to inviting seating areas.


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