theibcdaily
Cloud-based subtitling system is launched
Zoo Digital By Heather McLean
Software service provider, Zoo Digital is presenting its new cloud-based subtitling and captioning service, ZOOsubs, to Europe here at IBC2014.
ZOOsubs is the new generation software- enabled subtitling and captioning service. Using the latest cloud technologies it provides a new approach in an industry that has seen little change in 50 years, claimed the company. ZOO Digital has seen its ZOOsubs subtitling service adopted by five of the six major Hollywood studios in the last 12 months, along with global TV companies and well-known brands. According to the company, the secret of ZOOsubs’ success lies in
the cloud. Unlike traditional subtitling services, which rely on third party applications, high overheads and in-territory management, ZOOsubs uses cloud technologies and bespoke software to provide a scalable, cost- effective global solution. ZOOsubs software manages all of the repetitive admin tasks within the subtitling process, whilst a team of talented translators and QC experts ensure high quality outputs in over 55 languages and all major formats.
ZOOsubs users benefit
from a wealth of innovative new features, including online ordering and self service downloads, secure asset storage in a cloud- based centralised repository, and automated file conversions direct from ZOOsubs. 9. B14d
White label video management thePlatform
By Monica Heck
White-label video publishing company and independent subsidiary of Comcast, thePlatform is demonstrating its cloud-based mpx video management system at the show.
The company has also shared details from its newly launched strategic reseller programme, recent customer announcements including Verizon, as well as updates from serving as the cloud- based, online video platform for two of the largest online TV events this year: the Super Bowl for Fox and Olympics for NBC. Companies that currently rely on thePlatform as their open, central hub for managing, monetising and syndicating billions of professionally produced video views annually, across PCs, mobile and TV, include BT, Cablevision, CBC, Comcast, E!, LSDLive, NBC Local Media, NBC Sports, Syfy, Telstra and Time Warner Cable. 14.H15
As the workflow in broadcasting becomes more and more digital, the call for higher resolutions becomes louder, according to exhibitor Guntermann & Drunck (G&D), who is responding by showcasing the company’s capabilities in KVM extensions for 4K, the transmission of high resolutions via KVM matrix and uniting analogue and digital KVM systems. Today, says the company, the boundaries of classic broadcast have almost vanished. Digital media technology and professional IT applications are already part of almost any workflow. The new data-based broadcast requires highly reliable devices which are always available. Users must be able to flexibly and efficiently manage large amounts of data. High resolutions are transmitted from the actual recording to processing and to the final
KVM extensions for 4K
Guntermann & Drunck
By Ian McMurray
playout — so any KVM equipment the material passes on its way must be able to match and process these requirements. When processing and transmitting 4K content, the multichannel variant of the KVM extender DL-Vision is ideal, according to G&D. In addition to transmitting keyboard, mouse, RS232 and USB 2.0 signals, the device is said to easily handle video in 4K or Ultra HD. The KVM extender transmits resolutions up to 4096x2160 or 3840x2160 at the full frame rate of 60Hz and with a colour depth of 24 bits, resulting in high-quality images. 4.B60
4K extension: The DL-Vision extender can handle 3840 x 2160 resolution at 60Hz with 24-bit colour depth
94 theibcdaily
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