Publisher Chad Harvie
Editor in Chief Pam Baird
Editor Tatia Meyer
editors@beadtrendsmag.com
Editorial Assistant Liese McDonald
Art Director Amy Noorda
Design Charlotte Valantine, Jeri Huish
Photography Charlotte Valantine
Advertising Director
Jody Hunt
888-225-9199 x111
direct: 801.420.0095
jody@beadtrendsmag.com
Director of Online & Social Media
Ana Cabrera
Earth Flower
801-244-2729
by Karen Gorrell
acabrera@northridgemedia.net
Retail Sales
Sean Curran
Liquid laminate: Beacon; Antique brass chain, antique brass lobster claw clasp: Blue Moon
888-225-9199 x112
sean@beadtrendsmag.com
Beads Treasure Chest Collection; Grow charm, bird charm: Pedals A Plenty; Earth charm:
Cousin Beads Existence Collection; Gemstone brad, large jumpring, 10 small jumprings,
Circulation Manager Jeff Stephens
cardstock, newspaper
Subscription Renewals
Nik Bruce
888-225-9199x143
1 Draw a large and a small overhead view flower pattern onto cardstock. Cut out the two
renewals@@
beadtrendsmag.com
flower patterns.
Subscriptions/Customer Service
2 Trace the outlines of both patterns onto newspaper six times. Cut out all patterns on the
Sarah Dalsing, Janis Kunz, Kara Greene
newspaper.
Shipping/Receiving Tina Gonzales
3 stack the large cut outs, staggering the radial patterns so that the pedals on each tier are
Internet Customer Service
partially visible in back of the tier lying on top of it. stack the small pattern cut outs on
support@beadtrendsmag.com
top of the larger cut outs. Put a hole through the center of the array of stacked flower
Bead Trends is published 12 times a year by
patterns. Northridge Media, LLC. P.O. Box 1570
4 Bend or curl upward a single small flower pedal from the top center of the array.
Orem, Utah 84059-1570
phone 888-225-9199 fax 801-225-6510
5 Coat the top and bottom of the curled pedal with liquid laminate.
www.beadtrendsmag.com
6 Repeat step 4 & 5 curling and laminating individual flower pedals working from the top
Copyright© 2010 Northridge Media LLC. All rights
tier of smaller pedals and then towards the bottom larger pedals until the entire array is
reserved. Permission is hereby granted to reproduce
any part of this book on a limited basis for use only
curled and coated. Let dry.
in creation of your personal work. Reproduction of
7 Apply four coats of laminate to the curled pedals allowing it to dry between each coat.
any part of this book for commercial gain or use is
expressly forbidden. For any questions regarding the
8 Insert a gemstone brad through the hole at the center of the flower array. Curl the tips of
copyright, please contact Northridge Media™.
the brad on the backside of the flower, forming a loop with each end.
Subscriptions 1-888-225-9199
9 Cut two 12 ½” lengths of antique brass chain and connect one end of each chain to the 6 issue subscription: $49.95
loops on the brad at the back of the flower. Connect an antique brass lobster claw clasp to
12 issue subscription: $84.95
18 issue subscription: $124.95
the end of one of the chains. 24 issue subscription: $159.95
10 Connect a large jumpring to the two links connected to the brad at the back of the flower
Please call for international rates.
pendant. Please send address changes to:
11 Connect four small jumprings forming a chain. Connect a grow charm to the last jumpring
Northridge Media P.O. Box 1570
Orem, Utah 84059-1570
in the chain. Repeat, connecting a bird charm to the last jumpring in the chain.
or e-mail:
support@beadtrendsmag.com
12 Connect two small jumprings and attach an earth charm to the end of the two jumpring
Please send reader submissions to:
chain.
beadsubmit@beadtrendsmag.com
13 Connect the three jumpring chains with charms to the large jumpring on the back of the
10 flower pendant.
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132