BEST DRAMA ONE-OFF OR SERIAL
For almost 30 years, Helicopter Film Services has worked on many of the world’s iconic films and TV series.
Its team is headed by renowned Aerial DoP, Jeremy Baben Assoc BSC, offering impartial advice on the best approach and kit for filming from ground or air. HFS’s diverse range of aerial equipment includes helicopters and drones, plus the latest gimbals, cameras and lenses – and bespoke configurations of each.
THIS IS GOING TO BE A LABOUR OF LOVE
The HFS hangar at Denham gives customers a choice that ranges from helicopter-mounted 6-camera arrays and ultra-heavy lift drones, to smaller drones for agile or closer work. The firm prides itself on tailored advice and unrivalled service, regardless of production or budget size.
Bringing SISTER’s NHS comedy drama This is Going to Hurt to life required the production team to keep their sense of humour and pull together through challenges. Made during Covid, the show, starring Ben Whishaw and Ambika Mod, was painful to produce, but a triumph of humanity, says producer Holly Pullinger
Recent TV productions: The Midnight Sky, Peripheral, Slow Horses, The Witcher, Willow, The Crown Recent film productions: Glass Onion: A Knives Out Mystery, Doctor Strange in the Multiverse of Madness, Jurassic World: Dominion, Black Widow, The Little Mermaid
helicopterfilmservices.com BD 06
televisual-bulldogs.com
SISTER secured the rights to comedian Adam Kay’s book - about the absurdities of working as a new doctor on an obstetrics and gynaecology ward - back in 2017. Producer Holly Pullinger was convinced from first sight of Kay’s script. “It was absolutely brilliant from the moment you started reading.”
Getting from script to the seven episodes on screen, however, turned from a regular
DOING SOMETHING SPECIAL IN A SPECIAL INDUSTRY, AT A SPECIAL TIME
AT THE TIME WE FELT WE WERE MAKING SOMETHING IMPORTANT. WE WERE
challenge into an almost impossible journey. At the same time, the significance of the drama’s revelations about conditions working in the NHS became more critical than ever.
Heading into 2019, lots of work had been done to find a building that could stand in as
a hospital and wards that could welcome cast and crew to give them a feel for the real thing.
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36
