search.noResults

search.searching

dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
ChArAcTeRs


but can also be consumed by their own flawed natures – that their ‘rude will’ may be their undoing. There are a number of moments in the play when Friar Laurence reflects on the destructive consequences of passion and haste. He tells Romeo, ‘Wisely and slow; they stumble that run fast’ warning him about the dangers of haste. Shortly before the wedding ceremony, Friar Laurence repeats this idea: ‘These violent delights have violent ends, / And in their triumph die, like fire and powder, / Which as they kiss consume.’ Friar Laurence understands that Romeo’s impassioned nature may be his undoing. However, he still agrees to perform the wedding ceremony.


FlAwEd As with so many of Shakespeare’s characters, Friar Laurence has his flaws. His efforts to unite the feuding families by hastily marrying their children is unwise. His scheme to fake Juliet’s death is perhaps a desperate one. He relies too much on Friar John to successfully deliver his letter to Romeo and he causes great distress to the Capulets by helping Juliet fake her own death. Most damningly, Friar Laurence acts in a cowardly way in the Capulets’ tomb during the


final scene. He tells Juliet that he will hide her among ‘a sisterhood of holy nuns’. This is arguably to disguise his part in the tragic ending. Furthermore, when Juliet wakes to find Romeo’s body beside her, she is obviously distressed. Rather than staying to comfort her or trying harder to convince her to leave, Friar Laurence flees in fear. This gives the traumatised Juliet time to take her own life.


FrIaR LaUrEnCe


✓ Well-intentioned ✓ A respected advisor ✓ Philosophical and often wise ✓ Flawed


PoRtFoLiO Deepen your understanding of Friar Laurence by completing your Character Log, p.108.


MeRcUtIo WiTtY


Throughout the play Mercutio engages in verbal banter, often with Romeo. He enjoys wordplay and puns in many of his scenes. For example, when the Montagues discuss Tybalt’s letter of challenge sent to Romeo, Mercutio says, ‘Any man that can write may answer a letter’ (‘answer’ meaning to reply to the letter and also to answer the challenge to a duel). Even when Mercutio is fatally wounded, he speaks in double meanings: ‘Ask for me tomorrow, and when shall find me a grave man’ (‘grave’ meaning serious and also dead).


PlAyFuL This type of wordplay and banter lends Mercutio a playfulness as he enjoys poking fun at others. He teases Romeo about his infatuation with Rosaline a number of times. When Romeo complains, ‘I have a soul of lead / So stakes me to the ground I cannot move’, Mercutio mocks him: ‘You are a lover: borrow Cupid’s wings, / And soar with them above a common bound.’ Similarly, when Romeo disappears into the Capulets’ orchard, Mercutio playfully pretends to conjure him up and invokes Rosaline’s body as he does so:


209


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149  |  Page 150  |  Page 151  |  Page 152  |  Page 153  |  Page 154  |  Page 155  |  Page 156  |  Page 157  |  Page 158  |  Page 159  |  Page 160  |  Page 161  |  Page 162  |  Page 163  |  Page 164  |  Page 165  |  Page 166  |  Page 167  |  Page 168  |  Page 169  |  Page 170  |  Page 171  |  Page 172  |  Page 173  |  Page 174  |  Page 175  |  Page 176  |  Page 177  |  Page 178  |  Page 179  |  Page 180  |  Page 181  |  Page 182  |  Page 183  |  Page 184  |  Page 185  |  Page 186  |  Page 187  |  Page 188  |  Page 189  |  Page 190  |  Page 191  |  Page 192  |  Page 193  |  Page 194  |  Page 195  |  Page 196  |  Page 197  |  Page 198  |  Page 199  |  Page 200  |  Page 201  |  Page 202  |  Page 203  |  Page 204  |  Page 205  |  Page 206  |  Page 207  |  Page 208  |  Page 209  |  Page 210  |  Page 211  |  Page 212  |  Page 213  |  Page 214  |  Page 215  |  Page 216  |  Page 217  |  Page 218  |  Page 219  |  Page 220  |  Page 221  |  Page 222  |  Page 223  |  Page 224