HOTEL REVIEW


The same detail has been a key infuence on the interior design, seen in the folding screens which hide Corian kitchen units in the apartment-style bedrooms, and in the polished brass screens which line the basement swimming pool. Accommodation comprises a mix of studios, one bedroom suites, two bedroom suites and feature rooms. The nine ‘feature’ rooms are located in the original Edwardian public areas, where glass partitions have been inserted with careful precision to allow guests to appreciate the full ceiling height and elegant dimensions of these grand spaces. The highlight is the magnificent De Montfort suite housed in the original Edwardian Council Chamber, featuring ornate plasterwork, and triple height ceilings with large arched, stained glass windows that commemorate the local area’s history, such as


the Arms of the De Montfort family. As much an event space as guest accommodation, this enormous open plan room allows dining for up to twenty guests, and a lounge and study on the ‘ground floor’, while a staircase rises to the secluded bathroom and bedroom. Peng Loh is an avid collector of modern mid-century furniture. Classic items and bespoke pieces inspired by 1950s and 1960s Scandinavian design are peppered throughout the hotel with each room boasting a handpicked array of sofas, chairs, beds and tables. Much of the furniture was manufactured by Fiske, a Malaysian importer and restorer of classic mid century furniture with whom Peng Loh has a long standing relationship. The apartments are further enhanced with lighting by Italian company Viabizzuno whilst the original sash windows flood the rooms with natural


068 SEPTEMBER / OCTOBER 2010 WWW.SLEEPERMAGAZINE.COM


ABOVE: The design of the folding screens that house the kitchen units in the apartments was inspired by the detail of an Art Deco ventilation grill found in the original council chamber


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