inspiration
EARTH MUSIC “S
SOUNDSCAPES OF AMERICA’S QUIET PLACES by Susie Ruth
ilence is like scouring sand,” says Gordon Hempton, an award-winning acoustic ecolo-
gist. “When you are quiet, the silence blows against your mind and etches away everything soft and unimportant. What is left is what is real: pure aware- ness and the very hardest questions.” It’s not easy to find silence, which is
facing extinction in the modern world. If a quiet place is one where you can listen for 15 minutes in daylight hours without hearing a human-created sound, there are no quiet places left in Europe. There are none east of the Mississippi River and perhaps 12 in the American West, in- cluding one square inch in the Hoh Rain Forest at Olympic National Park, now officially recognized as the quietest place in the United States (OneSquareInch. org). In defending this exemplary spot of silence, Hempton is effectively protecting the soundscape of about 1,000 square miles of surrounding land. Hempton defines silence
brings us into contact with what is be- yond us, its beauty and mystery. Hempton encourages us all to join in the self-discovery of nature. He’s found, “All we have to do is listen.” Sounds, more than sight, connect us, he observes. In learning to listen to nature’s nuances, we also learn how to listen to one another. His favorite time of day for listening to nature is 30 minutes before sunrise. When the atmosphere is still, “It is not unusual to hear many square miles at once.” Astonishment and gratitude illumi-
not as noiselessness, but “the complete absence of all au- dible mechanical vibrations, leaving only the sounds of nature at her most natural. Silence is the presence of everything, undisturbed.” Silence, he would concur, is not the absence of sound, but a way of liv- ing—an intention to make of one’s own ears, one’s own body, a sounding board that resonates with the vibrations of the world. Silence creates an opening, an absence of self, which allows the larger world to enter into our awareness. It
30 Collier/Lee Counties
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“Silence is the think tank of the soul.”
nate our being when light breezes play across leaves and set them in motion, chirruping night insects wind down and the birds’ dawn chorus begins. When our moving a stone in a creek bed alters the water music, it is we who are moved. No one knows why natural sounds speak so directly to the human spirit, but we all acknowledge, in silent thanksgiving, that they do.
~ Gordon Hempton
Gordon Hempton, of Port Angeles, WA, is an acoustic ecologist whose award-win- ning recordings of America’s vanishing natural soundscapes support his campaign to protect the silence of our national parks (SoundTracker. com). Over the past 25 years, he has circled the globe three times in pursuit of environmental sound portraits. Read One Square Inch of Silence: One Man’s Search for Natural Silence in a Noisy World and voice support at One
SquareInch.org/links.
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