Images courtesy of J. McCann
Blackpool Illuminations
M
Robe Lighting World Wide Lighting Design Building contractors, J. McCann & Co (Nottingham) Ltd.
oving lights are at the core of the spectacular "Brilliance" installation in Blackpool, UK, a major light art work consisting of 6 elegant
aluminium clad architectural arches traversing the seaside town's Birley Street, combined with additional lighting pods along the surrounding Church, Corporation and Clifton Streets.
The £3.5 million regeneration by light scheme, commissioned by Blackpool Council, has been funded by the Northwest Development Agency, the European Regional Development Fund and Blackpool Council. Blackpool has historically been a city of light and illuminations, and this latest ambitious scheme brings a whole new level of contemporary aesthetics and fun to the
downtown area of the city. It is designed to encourage people to visit and stay into the evening and take advantage of the many restaurants, bars, cafés, clubs and entertainment venues in this lively area. The Birley Street light show takes place
every 10 minutes to an especially composed sound track including a stomping section by the Pet Shop Boys to get everyone in the mood for moving, grooving and having a good time. All the street lights have been replaced by 45 lengths of white LED strip. All the arches are linked with power and data running down the street via three catenaries. Along Church, Corporation and Clifton
Streets, the lighting is encased in the same domes that are integrated into the top of custom columns, looking a bit like super space age street lights! These are located at strategic intervals along the street, casting their beams all around the floor, onto buildings and into the air, effectively creating a scene setting vibe for those about to turn into Birley Street and be blown away by the arches and main piece of light art.
Church Street is pedestrianised, so the lights are set on slow colour, gobo (Goes before Optics) and movement chases, offering the additional flexibility of having special season gobos e.g. snowflakes, suns, etc., swapped in as needed. The fixtures in Corporation and Clifton Streets are used for higher level beam work. Lighting control for all four streets is from a central office half way up Birley Street. An intelligent power management system is incorporated into the control set up which allows power to be cut to any fitting on the site, and also controls the conventional street light dimming via photo cell & dali (Digital Addressable Lighting Interface) conversion. The scheme has been a massive success, bringing vibrancy, warmth and fun to the chilly winter evenings as the arches and the lightshow have fast become a local talking point. While at first some were sceptical about the architectural insouciance of the project, now it’s complete, up-and-running and being enjoyed by so many people, the response is overwhelmingly positive.
193
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148 |
Page 149 |
Page 150 |
Page 151 |
Page 152 |
Page 153 |
Page 154 |
Page 155 |
Page 156 |
Page 157 |
Page 158 |
Page 159 |
Page 160 |
Page 161 |
Page 162 |
Page 163 |
Page 164 |
Page 165 |
Page 166 |
Page 167 |
Page 168 |
Page 169 |
Page 170 |
Page 171 |
Page 172 |
Page 173 |
Page 174 |
Page 175 |
Page 176 |
Page 177 |
Page 178 |
Page 179 |
Page 180 |
Page 181 |
Page 182 |
Page 183 |
Page 184 |
Page 185 |
Page 186 |
Page 187 |
Page 188 |
Page 189 |
Page 190 |
Page 191 |
Page 192 |
Page 193 |
Page 194 |
Page 195 |
Page 196 |
Page 197 |
Page 198 |
Page 199 |
Page 200 |
Page 201 |
Page 202 |
Page 203 |
Page 204 |
Page 205 |
Page 206 |
Page 207 |
Page 208 |
Page 209 |
Page 210 |
Page 211 |
Page 212 |
Page 213 |
Page 214 |
Page 215 |
Page 216 |
Page 217 |
Page 218 |
Page 219 |
Page 220 |
Page 221 |
Page 222 |
Page 223 |
Page 224 |
Page 225 |
Page 226 |
Page 227 |
Page 228 |
Page 229 |
Page 230 |
Page 231 |
Page 232 |
Page 233 |
Page 234 |
Page 235 |
Page 236 |
Page 237 |
Page 238 |
Page 239 |
Page 240 |
Page 241 |
Page 242 |
Page 243 |
Page 244 |
Page 245 |
Page 246 |
Page 247 |
Page 248 |
Page 249 |
Page 250