28 l May 2013
www.psneurope.com
For the latest broadcast news
www.psneurope.com/broadcast
SOUNDBITES broadcast EUROPE
Launched at NAB last month, Logitek Electronic Systems’ AE-IP card turns the AE-32 Audio Engine platform into an AoIP node and mixer handling up to 128 inputs x 128 outputs in a single box. Logitek’s updated Mosaic control surface offers easier access to the new features of streaming consoles and networked audio systems, and consumes about 1/3 less power than the prior model.
www.logitekaudio.com
Wheatstone Corporation has exhibited an expanded version of its Dimension One audio console, the Dimension Two, which brings multiple major-market features to mid-market budgets. The TS-22 is a multi-featured studio “talent station” that integrates microphone, monitoring, and communication functions over the Wheatnet-IP audio network. AirAura X-3 is Wheatstone’s latest flagship digital audio processor.
www.wheatstone.com
Merging Technologies’ Pyramix V8.0 natively supports Ravenna Audio over IP for use with its DSP-based system, enabling real-time audio interchange across standard layer 3 networks. The Horus networked audio converter is now available with a single-mode optical fibre MADI connection and copper-to- fibre converters for extended Ravenna connections, and the Ovation V4.0 media server and sequencer, intended for live broadcast playout, now incorporates many user-requested enhancements plus Dataton WATCHOUT synchronisation.
www.merging.com
Audio Video Technologies’ Magic THipPro is a new POTS, ISDN or VoIP telephone hybrid talkshow system handling up to 16 callers from up to 20
workplaces with resources shared between six studios. Magic TH2plus, purportedly the smallest talkshow system on the market, handles two callers from up to three workplaces.
www.avt-nbg.de
Shure shoots for DSLR market
Microphone giant is “ahead of financial plan” as it launches into growing camera accessory market, writes Frank Wells
SHURE PRESIDENT and CEO Sandy LaMantia reports that around 40 Advanced Development teams are busy at the company, a “new product engine that’s continuing to purr along”. Shure is ahead of its financial plan, according to LaMantia, and expects the next year to be rife with product releases.
As a case in point, the
manufacturer has previewed the first pair in a new series of microphones designed for camera-top applications, as DSLR cameras become increasing prevalent in videography applications. The mics can also be used with portable audio/video recorders that feature external mic inputs. The VP83 and VP83F both
borrow from the design of the Shure VP82 shotgun microphone. The compact supercardioid condenser mics feature a suspension system
FRANCE/AUSTRALIA New mobile radio partnership By Erica Basnicki
AUDIO CODEC manufacturer Tieline has partnered with content management solution provider NETIA, the result of which includes the integration of Report-IT Enterprise with NETIA’s software solutions for managing and broadcasting radio content. Both organisations worked
closely with mutual customer ABC Australia to integrate the ingest of recorded Report-IT audio files into NETIA’s Radio- Assist using FTP sharing. Tieline has also integrated iSnippet, NETIA’s latest Radio-Assist
NETIA iSnippet for iPhone and iPad
editing tool, into Report-IT Enterprise for iPhone and iPad. “Clearly Tieline’s partnership with NETIA opens up an entirely
new world of opportunities for mobile journalism by making it easier and faster for journalists to get their stories to air via NETIA
developed with Rycote for isolation from vibration and mechanical noise. Rycote also developed optional windscreens for the devices. In addition to the gain and HPF controls on the VP83, the VP83F also brings an LCD display for metering, menu and status visualisation, a headphone output and a flash memory card slot to facilitate onboard recording at 48kHz/24-bit sampling. The mics will ship in the summer of 2013 at a price yet to be fixed. “The only cloud hanging over
us,” says LaMantia, “continues to be this whole spectrum issue.” Shure has adopted a two-fold approach to addressing the wireless needs of its customers, he explains. “Making our products more spectrally
musician market GLX-D, digital wireless systems. The second prong in the
approach, where LaMantia says “we have a ton of research and development going on”, is giving Shure’s customers more wireless options outside of the television band, as with the company’s 900MHz and (exemplified by the GLX-D system) 2.4GHz products that use active spectrum monitoring and channel hopping to maintain signal integrity. “We’ve built in a lot of
The design of the VP83 is based on the the Shure VP82 shotgun microphone
efficient… using more digital technology,” is one facet of Shure’s wireless initiatives, such as in its ULX-D, and the NAMM 2013 introduced
interference protection,” says LaMantia. Already evident within other products, the monitoring, fail-safe and channel management technologies in Shure’s flagship Axient wireless microphone line will be further utilised, he adds. “Our goal, is to put Axient technology into every product eventually.”n
www.shure.com
+ To read more about how Axient is helping venues overcome spectrum uncertainty, turn to page 53.
Radio-Assist systems. Journalists now also have access to improved and streamlined report editing capabilities with the integration of NETIA’s iSnippet editing application into Report-IT Enterprise for iPhone and iPad,” said Charlie Gawley, vice president of sales, APAC/EMEA for Tieline. The range of editing tools
available within Radio-Assist automation products is now available for iOS devices. Sharing the same look and ergonomic principles as the desktop interface, the new iPhone- and iPad-compatible iSnippet tool allows field reporters and other remote users to enjoy Radio-Assist audio editing capabilities on their portable devices. n
www.netia.com www.tieline.com
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60