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30 l April 2013


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studiofeature


implementers just use the chip as it is. But we tweak that technology within our own FPGA platform to make it more suited to our purposes: to get a higher sampling rate, certainly, but also to support the Direct Stream Digital (DSD) format. We’re still flying the flag for DSD. Some might question its validity today, but we believe there will be


SOLID GOLD


A RANDOM check reveals that leading US supplier Sweetwater Sound’s most expensive converter is the Solid State Logic Alpha-Link Live-R MADI-AES/EBU A-D/D-A model, featuring 24 balanced analogue inputs, support for up to 24bit/96kHz audio, word clock I/O and analogue metering. The Alpha-Link Live-R is a significant breakthrough for SSL, combining the company’s decades of expertise in


analogue signal processing with more recent digital know-how in order to breach the gateway of high-end digital conversion. The Alpha-Link Audio I/O series as a whole offers new options in multichannel audio conversion for the studio, live and broadcast sectors, with four models carrying 4-channel ‘SSL enhanced’ A-D and D-A technology and a wide range of digital audio formats on tap. Yours for $4,681.25.


meaningful applications for it in the future and we’re not about to abandon its cause.” DAD also insists on Total


Harmonic Distortion and Inter modulation Distortion (THD, IMD) ratios lower than minus 115dB at full scale, and a signal- to-noise-ratio noise floor lower than minus 125dB at full scale although, says Vest, “there will


Prism Audio’s Lyra t


The Horus mic-pre plus A-D/D-A box


The B2 Bomber from US manufacturer Burl


t PRODUCT ROUND-UP


The Eclipse stereo ADC carries two independent clock generators with ultra-low jitter and ‘acoustically focused’ clocking


always be some kind of smooth curve when you go to full scale, where you have some THD and then it falls down to the noise floor. We’re getting to the limits


of what’s physically possible, so the chip market is under scrutiny all the time.” Many manufacturers are now pulling their conversion


technology out of the mixer, or DAW, or whichever piece of the jigsaw they own, and placing it into rackmount products made available to the wider market.


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