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SUNDAY, OCTOBER 24, 2010


KLMNO


BD


E5


BALTIMORE SYMPHONY ORCHESTRA AT STRATHMORE Judy Collins THU, NOV 4, 8 PM


The Grammy Award-winning performer of “Both Sides Now,” “Chelsea Morning,” and “Send in the Clowns” brings her solo show to the Music Center at Strathmore for one night only. Note: The BSO does not perform on this program.


MARIN ALSOP


Off the Cuff Series Analyze This: Mahler and Freud


FRI, NOV 5, 8:15 PM JUDY COLLINS


Maestra Alsop and “Dr. Freud” psychoanalyze the relationships, conflicts and marital discord that affected Gustav Mahler’s musical output. The BSO performs selections from Mahler’s symphonies and songs. Presenting Sponsor: PNC Foundation


TIANWA YANG


Prokofiev’s Violin Concerto SAT, NOV 20, 8 PM


BSO favorite Günther Herbig conducts Ravel’s Ma mère l’oye (Mother Goose) Suite, Shostakovich’s Tenth Symphony and Prokofiev’s First Violin Concerto with Tianwa Yang. Presenting Sponsor: DLA Piper


Life is Better with Music | 1.877.BSO.1444 | BSOmusic.org MARY ALTAFFER/ASSOCIATED PRESS


SHOW’S OVER: Art dealer Lawrence Salander, left, pleaded guilty to grand larceny and fraud and was sentenced to six to 18 years.


betrayal from E4


boasted that he could sell it for $100 million. But that wasn’t enough to as-


suage the growing unease. In Massachusetts, Frelinghuy- sen had become suspicious when a collector from California called to praise a piece he had just bought from the collection stored with Sa- lander. The piece was not for sale. Salander assured Frelinghuysen that the gallery had made a mis- take, and that he would be paid. Court documents indicate that Frelinghuysen’s foundation was defrauded of 41 works worth more than $2 million. In Connecticut, after reading about Salander’s troubles, Shan- der went to the gallery and de- manded her father’s work. She was escorted out by a security guard. She found out later that part of the collection had been sold. The rest is tied up in bank- ruptcy proceedings; even her law- yer says it is unlikely she or her sis- ters will ever retrieve it. Brooklyn artist John Crawford, son of Ralston Crawford, became so uneasy he drove his truck into the city, marched into the gallery and loaded any of his father’s paintings that he could find. In Wyoming, his brother Neelon called a New York City detective in the art fraud division. The detec- tive made a short, laconic phone call to Salander and Crawford’s work was shipped to Wyoming that week. Hornbostel, Salander’s “super- woman,” was not so lucky. Told by another staff member that a La- chaise sculpture was being carted off in a shipping truck, she burst into Salander’s fifth-floor office, crying out that the piece was not for sale. But by the time Hornbos- tel raced back down to the ground floor, it was gone. Hornbostel remembers the cha-


otic day the gallery closed, ordered padlocked by a court after Salan- der’s biggest investor filed legal motions to end Salander’s control. It was the opening day of the Old Masters exhibit. Earlier that day, the London dealer had marched into the gallery and removed the Caravaggio from the wall.


‘No remorse’


About six months later, Horn- bostel was having lunch with her husband and young children when Salander and his wife walked into the restaurant. He smiled warmly, never mentioning the gallery. Hornbostel could bare- ly contain her anger. The Lachaise Foundation, for which Hornbostel had been responsible, had lost an estimated $6.6 million. “There was no apology, no re-


morse,” Hornbostel says. “I kept looking at him, thinking: How could you? Who are you?” Salan- der offered no public explana- tions. His sobbing apology in the courtroom seemed, to many of his victims, to be entirely self-cen- tered.


“EXUBERANT... INSIGHTFUL”


—New York Times “I’ve lost my wife, my business


and my reputation,” he said. “I am utterly and completely disgraced.” Salander, at Riker’s Island, has said no more; through his lawyer, he declined to be interviewed. If there are clues to his actions, perhaps they lie in the pages of his unpublished manuscript, “Soul Wars,” a rambling 578-page trea- tise in which Salander laments a decaying society in which “too many of us have prostituted our beautiful souls for money.” There is one chapter titled “Betrayal.” “All betrayals are to some de- gree premeditated,” Salander writes. “Betrayal is never an acci- dent.”


—Associated Press x


STRATHMORE COMING TO


WED., NOV. 3, 8PM


The Academy of St. Martin in the Fields with


piano & director


ALL MOZART PROGRAM Symphony in D Major, K. 196/121 “La finta giardiniera” Piano Concerto No. 12 in A Major, K. 414


Piano Concerto No. 9 in E-flat Major, K. 271 “Jeunehomme” Symphony No. 29 in A Major, K. 201


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