CLARATECH
When the Display Becomes Part of the Cabinet
A casino display is rarely selected in isolation. Once it enters a new cabinet project, the conversation expands from screen size and resolution to glass, curvature, mounting, cabling, lighting and sample validation. These are some of the points that display suppliers and cabinet teams often work through together. Karen Ho, Business Development Manager at ClaraTech Monitors, explains…
new enquiry may begin with a screen size, a cabinet concept or an early mechanical drawing. From there, the discussion normally becomes more specific. Two displays with the same diagonal size can have different overall dimensions, active areas, glass outlines, rear depths and mounting positions. This is why the nominal screen size is useful as a starting point, but rarely gives the full picture.
A
In practice, early conversations often cover the intended viewing position, portrait or landscape orientation, visible area, cabinet opening, installation depth and access for assembly or servicing. Sharing these details helps the cabinet team and display supplier understand whether an existing configuration is suitable or whether parts of the mechanical design need to be reviewed together.
FLAT, C-CURVE AND J-CURVE LEAD TO DIFFERENT DISCUSSIONS
Flat displays continue to suit many cabinets, particularly where a simple opening, shallow structure or modular multi-screen arrangement is preferred. C-curve displays offer a continuous curved profile, while J-curve displays create a more distinctive asymmetric shape. Each format can support a different cabinet style, but each also brings its own integration details. With a curved display, the radius, glass outline and surrounding trim are usually considered as one visual and mechanical group. A J-curve also has a deeper return at one end, which can affect the space available behind the screen and the way it meets the upper or lower part of the cabinet. These points are easier to see in a side drawing than in a front-view product image. Multi-display cabinets introduce further questions around active-area alignment, bezel gaps, viewing angles and the transition from one screen to the next. There is no single arrangement that suits every machine. The useful discussion is how the selected displays support the cabinet concept as a complete system.
PUTTING IMAGE SPECIFICATIONS IN CONTEXT Resolution and brightness are important, although their effect depends on the rest of the project. Screen size, viewing distance, game content and the host system all influence how much benefit a higher resolution brings. On a large portrait display, for example, content scaling and source quality can become just as visible as the panel specification itself.
Brightness is also experienced through the finished cabinet rather than through a data sheet alone. Cover glass, reflections, ambient casino lighting, display angle and internal heat all affect the result. For this reason, sample evaluation under conditions that resemble the intended cabinet can be more informative than comparing luminance figures in isolation.
28 OCTOBER 2026
GLASS AND TOUCH BRING ANOTHER LAYER When PCAP touch is included, the glass becomes part of both the appearance and the functional stack. Glass thickness, edge treatment, black-mask printing, bonding method and the relationship between the active image and cabinet trim can all influence the finished front surface. Even when the LCD panel stays the same, a different glass outline may change the cabinet opening or surrounding frame. Touch performance is normally reviewed with the actual glass construction, controller and operating environment. Edge response, full-area operation and behaviour after installation can reveal details that are not obvious when the display is tested on a workbench. Grounding, nearby electronics and cable placement may also form part of that conversation when a prototype is installed in a metal cabinet.
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92
