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This is a huge big budget movie. Do you get nervous when you take on a project like this? Do you have any methods for staying focussed, meditation etc? Well with this job I guess it’s practice, and I’ve been doing it since I was a kid. You benefit from trying to stay calm - or at least appearing to be calm. So I think I’ve gotten good at appearing to be calm.


You said you spent your time off watching a lot of Netflix - was it hard to get into shape for the movie? The film is very physical? Yeah, it was hard. But, you know, you lift heavy things and then you don’t eat a lot of other things. It takes a village you know? I had so


much help, so many stunt performers helping me, training me, getting me into shape, teaching me how to fight. I had an amazing, kind of like the real ‘Gray Man’, this ex-Delta Force member who was with me every day on set for every scene, giving me advice on how to behave or what to do. He had really great ideas that weren’t in the script, like you should always have Skittles on you because it’s a good source of energy. Or I would go into a room like a train car where I’m supposed to sleep and I was like, ‘What would you do?’ and he said, ‘I’d tie my shoelace to the door because if someone came in, it would wake you up’. So all that stuff, which I thought you couldn’t make it up, it just kind of comes from experience and I thought it gave the film a sort of special sauce.


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CE L EBRIT Y INTERVI EW RYAN GOS L ING


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