REUSE & RETROFIT 099
retrofit projects both winning international awards and filling the industry publications. Now even large-scale developers are trying to think more sustainably, according to Feix & Merlin, a young practice that has established a reputation for pushing diversity and inclusivity, as well as shown great flair for creatively reusing and repurposing both furnishings and buildings. You might expect forward-thinking local authorities and universities to be getting behind sustainability objectives, as Feix & Merlin has found both with their revamped Walworth Town Hall scheme for Southwark Council, and an
ambitious scheme with David Chipperfield Architects to breathe new life into an existing LSE building on Lincoln’s Inn Fields – for which Feix & Merlin’s proposed a breathtaking, timber-lined auditorium to be inserted into the existing envelope. But they are also finding UK mega-developer British Land more sympathetic to the cause, including in its London HQ that Feix & Merlin is refurbishing. Says co-director Julia Feix: ‘We work with British Land quite a bit and they are very rigorous in making sure that sustainability is being considered in terms of materials. For their HQ fit-out they have
supported us in being very stringent in terms of what we could use.’ While corporate developers in general ‘move slowly’, says Feix, when it comes to British Land, ‘the overall appetite for sustainable practice is very high. Tey need to be seen to be that sort of company, these days.’
So, with clients increasingly open to the idea that sustainable practice is the right thing to do, how can boundaries be pushed for doing more with what we’ve got. Husbandry of resources, luckily, is a topic that architects and designers have had to address for some time, what with global recessions, pandemics and
CASE STUDY
BUITENPLAATS BRIENENOORD, ROTTERDAM
Buitenplaats Brienenoord, located on an island in Rotterdam is a testament to Rotterdam architects Superuse Studios’ belief in the transformative power of re-using materials and collaborative practice.
The components used come from an abandoned scouting building, the Kamphuis, constructed by volunteers in the 1930s as a summer camp for local girls and boys, with both the
building and its island location donated by Wilton Feijenoord, a historic shipping and repair company. Up until 2000 the Kamphuis wa rented out for summer camps and holiday activities for school and community groups. However, a fire in nearby Volendam brought fire safety oficers to the location, who declared the building unsafe. The hut and the island lay more or less unused until 2015, when a team of social, scientific and cultural activists identified its potential, redeveloping the site as Buitenplaats Brienenoord, an informal
urban park where all members of Rotterdam’s population can gather in this peaceful and pastoral setting. Superuse Studios’ research began with an in-depth study of the existing building and its materials, identifying opportunities for reuse, followed by the collaborative process of reimagining the space to align with its new purpose. All the suitable materials from the former scouting building were salvaged and repurposed.
The new building’s foundations are based on the existing foundations, hence its not quite orthogonal shape. Steel trusses from the old building have been re-used, reinforced with wood or welded parts where necessary. In total 90% of recycled materials were used in its construction, almost all the materials salvaged from demolitions in the surrounding area, including radiators and doors.
Client Foundation Grondvesten Design Superuse Studios
Construction began August 2015, completed September 2019 Gross floor area 329sqm Construction costs Euros300,000
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148 |
Page 149 |
Page 150 |
Page 151 |
Page 152 |
Page 153 |
Page 154 |
Page 155 |
Page 156 |
Page 157