search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
BELLATRIX Catellani & Smith


The use of gold leaf as a reflective surface is a light motif for Catellani & Smith, experts in fully exploiting its sumptuous warmth, texture and gentle reflective qualities.


A new addition to the range is the sculptural Bellatrix lamp (named not after the Harry Potter witch, but one of the brighter stars in the Orion constellation). A 120cm-diameter aluminium disc, Bellatrix has the typically handcrafted irregular surface lined with gold leaf. It comes in two versions: in the first, radial lines appear to be hand-drawn on the surface, while in the second the design follows centrifugal curves.


The front of the disc is illuminated by nine LED boards (1W, CRI 85) integrated into a 10mm-diameter brass rod, supported by a brass flex, allowing for adjustable lighting orientation. The interaction of the warm (2700K) indirect light with the irregular golden surface creates a striking eff ect. catellanismith.com/en


PAR 18 WALL LAMP Catellani & Smith


Another of those luminaires where there’s more to it than meets the eye. The signature feature of the new Par 18 series, which includes the wall lamp and a chandelier, is the spherical ‘golf glass’ element, which typically plays with irregularities designed into the glass to create lit eff ect. The 16cm diff user is shaped in a mould specifically designed by Bohemian master glassmakers based on specifications and drawings by Spanish company Catellani & Smith. The specially created texture recalls a golf ball, and aims to retain the transparency of the glass while generating a


distinctive interaction of light with the uneven surface of the spheres. As well as gently diff using the light this also creates atmospheric shadow patterns on the wall or ceiling.


A further diff erence with the average static wall light is that the position of the diff user can be adjusted. The brass joint on the base allows a 350° rotation of the sphere on the horizontal axis and up to 90° on the vertical axis. The light beam can therefore be adjusted in diff erent directions and recreate particular eff ects on the wall. The lamp, which has a 9W COB LED (2700K, CRI 83), is available in two finishes, white and black, both with brass elements. catellanismith.com/en


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149  |  Page 150  |  Page 151  |  Page 152  |  Page 153  |  Page 154  |  Page 155  |  Page 156  |  Page 157