RUINS 071 As the


planet warms and global economies implode,


‘curated decay’ feels about as good as we can hope for


architectural icons in order to whet consumer appetites or add a patina of longevity and authenticity. A quick snapshot in September included studio Laplace and Piet Oudolf’s transformation of an 18th century naval hospital in Menorca into the latest Hauser & Wirth gallery, or Tadao Ando’s redesign of an 18th century stock exchange building, the Bourse de Commerce in Paris, as a showcase for Francoise Pinault’s 5,000-strong collection of artworks. Tat ultimate icon of modernity, Apple, now prioritises – and preserves – buildings of historic and cultural significance in


its global store roll out. Following the success of the Foster + Partners-converted Washington DC Library in 2019 (Apple Carnegie Library), the firm’s latest temple of tech for Apple is the 19th century Palazzo Marignoli in Rome. Great emphasis has been placed on celebrating the building’s historic features, including marble staircases and the revelation of an old central courtyard, planted with camphor trees in a nod to the 16th century convent that previously existed here – a setting that is no doubt an attempt to reassure the troubled technophile that all is well, providing an


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