016 REPORTER >
Recipients of the Design Guild Mark and Jonathan Hindle Prize awarded at CDW
The Furniture Makers’ Company has awarded the latest recipients of a Design Guild Mark (DGM), as well as the winners of the Jonathan Hindle Prize, at an awards ceremony during CDW in May. DGM recipients Fourfold, designed by Barry Jenkins
for Ocee International; Swell, designed by Jones & Partners for The Collective Agency; and Hotaru, designed by Edward Barber & Jay Osgerby for Ozeki Lantern, were announced as the winners of the Jonathan Hindle Prize for outstanding design. Other recipients of a DGM, which is divided into three categories – furniture, 2D design and lighting design – and judged by a panel of judges, are Kaya, designed by Morgan Studio for Morgan; Northward Bound Carpet Tiles, designed by the Milliken design Team for Milliken
Industrials; and Joseph Collection, designed by Michael Young for EOQ. 23 DGM were awarded by the company – the City
of London livery company and charity for the furnishing industry – to drive excellence and raise the profile of British design and innovation. It recognises the highest standards in the design of furnishings in volume production. The Jonathan Hindle Prize is awarded to the most outstanding of the year’s Design Guild Mark awarded pieces in the furniture, 2D and lighting design categories. The award is open to designers working in Britain or British designers working abroad and emphasises how innovation of materials and creativity remain at the forefront of British design.
designguildmark.org.uk
DESIGN GUILD MARK RECIPIENTS 2022
FURNITURE Your Move
Designed by Jon Christie for Flip the Script Furniture
Kaya
Designed by Morgan Studio for Morgan
Smalto Low Table
Designed by Edward Barber and Jay Osgerby for Knoll
Fourfold
Designed by Barry Jenkins for Ocee International
Buddy
Designed by Chris Fowler for Bisley Sepal
Designed by Mark Gabbertas for Gloster Furniture
Saranac 1 3
Designed by Mark Gabbertas for Gloster Furniture
Heritage
Designed by Dylan Freeth for Ercol Eva
Designed by Phidias Leonida for NURUS
PORTS
Designed by Tom Lloyd and Luke Pearson for Bene
The Davenport Bureau Designed by David Irwin for Another Country
Bowater Collection – Cable Shop Stool (kit)
Designed by Jan Hendzel for Jan Hendzel Studio
The Somerset Four Poster Designed by Garry Smith for The Cornish Bed Company
The Tetbury 2 4 5
Designed by Garry Smith for The Cornish Bed Company
6
TEXTILES, WALL COVERINGS, SURFACES, CARPETS & FLOOR COVERINGS
‘All Tomorrow’s Futures’ Textured Linen Blend Designed by Charlotte Raff o and Alexis Snell for The Monkey Puzzle Tree
Quest
Designed by Jane Marks-Yewdall for Camira
Swell
Designed by Jones & Partners for The Collective Agency
Northward Bound Carpet Tiles Designed by the Milliken Design Team for Milliken Industrials
LIGHTING Hotaru
Designed by Edward Barber and Jay Osgerby for Ozeki Lantern Company
Joseph Collection
Designed by Michael Young for EOQ
Melina
Designed by Yasuyuki Sakurai & Risa Sano for Hand & Eye Studio
FULL STOP
Designed by Derek Treadwell for Innermost
Evedal
Designed by Aaron Probyn for IKEA
JONATHAN HINDLE PRIZE WINNERS 2022
Fourfold, designed by Barry Jenkins for Ocee International
Swell, designed by Jones & Partners for The Collective Agency
Hotaru, designed by Edward Barber & Jay Osgerby for Ozeki Lantern Company
7
1. SWELL, DESIGNED BY JONES & PARTNERS FOR THE COLLECTIVE AGENCY 2. FOURFOLD, DESIGNED BY BARRY JENKINS FOR OCEE INTERNATIONAL 3. HOTARU, DESIGNED BY EDWARD BARBER & JAY OSGERBY FOR OZEKI LANTERN COMPANY 4. HERITAGE, DESIGNED BY DYLAN FREETH FOR ERCOL 5. EVA, DESIGNED BY PHIDIAS LEONIDA FOR NURUS 6. THE TETBURY, DESIGNED BY GARRY SMITH FOR THE CORNISH BED COMPANY 7. JOSEPH COLLECTION, DESIGNED BY MICHAEL YOUNG FOR EOQ
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129