UP FR ONT
THE NEW MOMA
NEW YORK’S INFLUENTIAL MOMA (Museum of Modern Art), which celebrated its 90th anniversary earlier this year, was poised to reopen as we went to press after a four-month closure for renovation. The US$450 million expansion – designed by Diller Scofidio and Renfro in collaboration with Gensler – has added 3,716 sqm of gallery space, including free-of-charge street-level galleries and a second-floor Creativity Lab. Galleries will
16
showcase artists from diverse backgrounds, while exhibitions will merge mediums and timeframes, displaying contemporary art alongside early masterpieces. The new Marie-Josée and Henry Kravis studio provides a space for performance, dance and music, kicking off with the immersive sound installation Rainforest V (Variation 1). The museum has also extended its opening hours.
moma.org
AIR MILE S
ROBERTO SORRENTINO is a cellist at the Royal Philharmonic Orchestra.
Have you discovered new music on your travels? Yes, I improvised with a group of Arabic musicians accompanying a belly dancer last year. I listened to lots of Arabic music before I went and really loved the sounds and rhythms of that culture.
Favourite venue? New York’s Carnegie Hall for its acoustics and backstage photos on the walls of so many incredible artists that have performed there – Beniamino Gigli, Enrico Caruso and Te Beatles, to name a few.
The great outdoors
FOUNDED BY MOUNTAINEER Yukio Yamai in 1958, Japanese outdoor lifestyle specialist Snow Peak has opened its first European store in London’s St James’s Market. Te three- storey space showcases the brand’s camping equipment, outdoor gear and clothing, and has a tea and coffee bar. Stylish yet practical products include a fire-resistant series of coats, made from durable Aramid fabric and Toray Dermizax, a material that has good breathability and a high level of water resistance. From £569.90;
snowpeak.co.uk
Most unusual experience abroad? When the orchestra’s luggage got lost and we had to play a concert wearing the clothes we had on. I wore shorts and an old T-shirt in front of a very posh and well-dressed Swiss audience. It was quite liberating not wearing my tails.
Favourite piece to perform? Mozart’s Symphony No 40.
Most rewarding experiences? Being on a stage with [Argentine pianist] Martha Argerich and being two feet away from Pavarotti singing Neapolitan folk songs.
NOV EMB E R 20 19
What are the most challenging parts of your job? Performing with terrible jet lag in Tokyo and having to pinch myself to stay awake in a very long, slow and sleepy movement.
Is it difficult to travel with instruments? Travelling with an old and valuable instrument can be a nightmare for a musician. Some airlines are okay, but I’ve heard some horror stories about instruments getting damaged.
Where did you last travel to? Bratislava, Austria and Belarus with the wonderful Royal Philharmonic Orchestra.
Dream destination? Anywhere in South America.
Indispensable travel gadgets? My iPhone and plug adapter so I can listen to Te Archers.
IFE pick? Listening to Steely Dan, or watching a good old movie.
Visit
businesstraveller.com for the full interview.
bus ine s s tr a v el ler .c om
IWAN BAAN
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148 |
Page 149 |
Page 150 |
Page 151 |
Page 152 |
Page 153 |
Page 154 |
Page 155 |
Page 156 |
Page 157 |
Page 158 |
Page 159 |
Page 160