Vol. 65, No. 1 spring 2020 68


Figure 2.


converted to black-and-white. For example, red and green are similar shades of grey, and these are fairly common colors on our models. (Figure 1) As can be seen in Figure 2, when converted to black-and-white, the red gun carriages are the same grey as the green bulwarks. T is can be corrected by darkening the red and lightening the green, as in Figure 3. Color can also be a distraction when the photograph is intended to illustrate a procedure or small detail, rather than a completed model. I would suggest that images intended to support a detailed procedure or method be submitted in black-and-white, and that images of complete models be submitted in color.


T e next area to address is the setting in which the model is to be photographed. T e background must be neutral and free from any distractions. Figures 1 to 3 are examples of extremely poor background. T e model should be placed on a white or light grey surface. In general, the hull area below the waterline on our models is oſt en copper or white, both of which will show poorly if a color is refl ected onto them. Figure 4 illustrates the vast improvement that results from correcting the background. Figure 5 shows the correct rendition of the copper color from placing


the model on a pale neutral background. You need something pale under the keel to refl ect light up on to the lower surfaces of the hull


T e camera should always be mounted on a tripod. You will need to set a small aperture (between f 8 and f 22) to ensure maximum depth of focus, and you will need to set the camera’s ISO as low as you can (100 or 200) to get the best possible quality image. T is will result in a low shutter speed, making the tripod essential. If your camera or lens has any form of vibration reduction, turn it off when the camera is on the tripod, as it can cause vibration while hunting for vibration. T e other advantage of the tripod is that it will force you to slow down and think about what you are doing. T ere are no short cuts.


Natural or diff used lighting is always best. Light from a fl ash can be harsh, producing unwanted shadows. It can also show defects you do not want people to see, such as brass under where paint is chipped or thin.


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