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Cover story


SPOTLIGHTING THE ARTS


Creative subjects have suffered disproportionately as budgets have shrunk. So how can you fund cultural enrichment projects, asks Jane Hughes


D


espite the prestige and the income (more than £111 billion a year) that the


creative industries bring to the UK economy, investment in arts education has dwindled. Over the 





reveal a reduction in secondary school teaching hours and teachers in creative subjects such as art, drama, music, design and technology. The issue


decade. Moreover, funding for arts and culture subjects in higher education (in England) is being slashed as subsidies are funnelled into the science sector. So how can schools get back to





post-lockdown when many schools prioritised core academic subjects in an attempt to catch up on lost learning. This raised the prospect of a generation of children with little ‘cultural capital’. According to the NASUWT,


schools in England now face a ‘creativity crisis’, with the number of GCSE music and drama 


providing a broad and balanced curriculum, with creative subjects that provide unique educational and career opportunities, as well as supporting mental health and wellbeing? On the following pages, we explore tried-and-tested solutions, with accompanying case studies. One option is to develop a fundraising portfolio for a large project that will provide multi- layered opportunities and facilities for pupils. The second is to secure one-off grants for cultural enrichment activities that schools can build exciting learning opportunities around.


FundEd SPRING 2023 11


IMAGES: KLYAKSUN; REDIT:LUVI40/ISTOCKPHOTO.COM


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