KBB l PROJECT PLANNER
SOLUTION ONE
1 THE DESIGNER
Steve Callandine is director of 1909 Kitchens at Abbeywood Interiors in Durham. He’s worked in the industry for 20 years and is passionate about the company’s approach to design and build. Before he got into designing kitchens, Steve worked in construction.
1 Double oven While in the utility, it’s close to the kitchen to ensure a smooth transition of hot items onto the worktop. 2 Shelving One of the curved wall units is punctuated by an open section clad in Davos Oak with glass shelving and LED lights, which help to add a touch of elegance. 3 Lighting LEDs below the wall units and extractor housing provide useful task lighting when preparing food. 4 Utility room A 70/30 fridge-freezer and double oven sit next to a tall unit with enough space inside for a vacuum cleaner and ironing board.
2
“T
he focus for this project was to ensure I created a timeless kitchen, fusing elements of modern design with a country
feel. To maintain a sense of harmony and space, all the appliances and storage solutions have been integrated which gives a pleasing look without compromising the functionality. Therefore, I felt that hard-working storage was essential. “Two pull-out base units either side of the hob are ideally located for dry food, oils, and spices and frame the cooking zone perfectly. In the corner of the L-shaped kitchen, I’ve included a Le Mans unit for easy access to items such as pots and pans. Neat touches, such as an internal cutlery drawer below the hob, keep utensils close to hand while allowing for a clean two-drawer aesthetic on the outside. All the above help to maintain the layout and feel of the space with an improved use of storage and functionality.
140 KITCHENS BEDROOMS & BATHROOMS l APRIL 20
“Daria and Joe loved the idea of soſtened corners and curved units, which I have incorporated where the kitchen meets the dining area – elongating the base run and soſtening the flow to this space makes it a feature. Using curved wall units as well helps to unify the scheme and reduce the impact of units at eye level, particularly around the window. “The range I have specified is a 1909 Shaker door, which is an in-frame design, with a smooth painted finish in Dust Grey. This is a mid grey tone, which acts as a neutral base for the mix of marble-effect Strata quartz worktops, wood, and exposed brick feature walls. For the walls, I’ve selected a light and warming grey called Slaked Lime Mid 149 by Little Greene, which
complements the copper accents on the handles, The 1810 Company sink, and Abode tap. “Above the hob, I’ve concealed the extractor with a box mantle. This adds a modern twist and merges well with the timeless Shaker furniture. I’ve suggested plain low-iron glass as a splashback over the brick – it will make keeping this area clean easy, plus the surface of the glass will create soſt reflections from the industrial lighting. The exposed brick also works well at the dining end of the kitchen, adding character and creating the perfect backdrop for contemporary artwork and the couple’s plants. In the dining area I’ve kept things simple with a floating shelf, so the statement pendant above can really shine.”
“ I’ve kept things simple with a floating shelf, so the statement pendant can really shine.”
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148 |
Page 149 |
Page 150 |
Page 151 |
Page 152 |
Page 153 |
Page 154 |
Page 155 |
Page 156 |
Page 157 |
Page 158 |
Page 159 |
Page 160 |
Page 161 |
Page 162 |
Page 163 |
Page 164